BEETHOVEN "Complete Symphonies" Furtwangler 8 LP box
$
25
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Description
Box includes:
1. Symphonie Nr. 1 C-dur op. 21 - November 1952, Wien
2. Symphonie Nr. 2 D-dur op. 36 - 3. Oktober 1948, London
3. Symphonie Nr. 4 B-dur op. 60 - Januar 1951, Wien
4. Ouvertüre zu "Fidelio" op. 72 b - November 1954, Wien
5. Symphonie Nr. 3 Es-dur op. 55 "Eroica" - 26. und 27. November, Wien
6. Symphonie Nr. 5 c-moll op. 67 - Februar / März 1954, Wien
7. Leonoren-Ouvertüre Nr. 2 C-dur op. 72 - November 1954, Berlin
8. Symphonie Nr. 6 F-dur op. 68 "Pastorale" - November 1952, Wien
9. Coriolan-Ouvertüre c-moll op. 62 - November 1947, Wien
10. Leonoren-Ouvertüre Nr. 3 C-dur op. 72 a - Oktober 1953, Wien
11. Symphonie Nr. 8 F-dur op. 93 - 13. November 1948, Stockholm
12. Symphonie Nr. 9 d-moll op. 125 - 29. Juli 1951, Bayreuth
* Elisabeth SCHWARZKOPF, Soprano
* Elisabeth HÖNGEN, Alto
* Hans HOPF, Tenor
* Otto EDELMANN, Bass
* Festspiel-Chor Bayreuth
* Festspielorchester Bayreuth (12)
* Philharmonisches Orchestrer Stockholm (11)
* Berliner Philharmoniker (7)
* Wiener Philharmoniker (1-6, 8-10)
* Conductor: Wilhelm FURTWÄNGLER
EMI, 8-LP-Box, Mono, 1 C 149-53432/39 M
Box is in VG+/EX- condition.
Records are in EX condition.
Shipping costs: $12 France, $16 Europe, $22 worldwide / USA (the $4 shipping for the US doesn't apply). Please wait for my invoice before paying. Happy bidding to you all.
Grading System
MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.
VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump.
The cover and contents will be torn, stained and/or defaced.
POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
BAD: The record is unplayable or might even be broken, and is only of use as a collection-filler
Source: RECORD COLLECTOR, London
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