BEATLES HELP VERY RARE LABEL VARIATION MAS 2386 LP 33
$
126
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Description
Help !
Capitol MAS-2386 Mono, Gatefold
Released 8/13/65
Album is the ULTRA-RARE H E L P!
On a scale of 1 to 10. This album is a 9.5
Mono - Black label with colorband; label credits Ken Thorne as composer of "In The Tyrol" "The Bitter End" & "The Chase" and DOES NOT add "You Can't Do That" to the side 2 contents under "The Bitter End". This variation also has the title & information for the opening song Help! printed above the spindle hole. This variation was only known to exist only on the stereo version.
THE DISC PLAY'S PERFECT SHINNY BLACK VINYL.
ALBUM COVER IS AVERAGE CONDITION +
NO SEAMS SPLITTING
NO TAPE OR WRITING.
SLIGHT DISCOLORING FROM AGE
LOW RING WEAR!
ALMOST NONE.
VINYL DISC IS ABOVE AVERAGE CONDITION
PLAYS GREAT, PLEASE LISTEN IN SCREEN ABOVE.
LIGHT SCUFFS AND SCRATCHES NOTHING YOU CAN HEAR.
YOU CAN SEE UNDER LIGHT.
PLEASE LISTEN TO SCREEN ABOVE FOR EXAMPLE
OF THIS RARE BEATLES ONE OF A KIND
H.E.L.P!
If for any reason, you are not fully satisfied, please let us know and we will take every step possible to ensure your total satisfaction.
THANK YOU
HELP!
(Original Soundtrack Album)
Released: August 13, 1965
Produced by: George Martin
(and by Dave Dexter, Jr. in the U.S.A.)
Musical Score by: Ken Thorne
Engineered by: Norman Smith
Label: Capitol SMAS-2386
- James Bond Theme [instrumental] (0:16)
/ Help! (2:21)- Recorded: April 13, 1965 at Abbey Road, London, England
- Instrumentation:
George Martin & Orchestra - "James Bond Theme"
John Lennon - lead vocal, 12-string acoustic guitar
Paul McCartney - bass guitar, background vocal
George Harrison - lead guitar, background vocal
Ringo Starr - drums, tambourine
- Recorded: April 13, 1965 at Abbey Road, London, England
- The Night Before (2:37)
- Recorded: February 17, 1965 at Abbey Road, London, England
- Instrumentation:
John Lennon - electric piano, rhythm guitar, background vocal
Paul McCartney - lead vocal, bass guitar
George Harrison - lead guitar, background vocal
Ringo Starr - drums, shaker
- Recorded: February 17, 1965 at Abbey Road, London, England
- From Me To You Fantasy [instrumental]
(2:03)- Performed by: George Martin & Orchestra
- Performed by: George Martin & Orchestra
- You've Got To Hide Your Love Away (2:11)
- Recorded: February 18, 1965 at Abbey Road, London, England
- Instrumentation:
John Lennon - lead vocal, acoustic guitar
Paul McCartney - acoustic bass guitar
George Harrison - acoustic guitar
Ringo Starr - tambourine, shaker
session musicians - flutes
- Recorded: February 18, 1965 at Abbey Road, London, England
- I Need You (2:32)
- Recorded: February 15, 1965 at Abbey Road, London, England
with overdubs added February 16, 1965 - Instrumentation:
John Lennon - acoustic guitar, background vocal
Paul McCartney - bass guitar, background vocal
George Harrison - double-tracked lead vocal, lead guitar (with volume pedal)
Ringo Starr - drums, congas, cowbell
- Recorded: February 15, 1965 at Abbey Road, London, England
- In The Tyrol [instrumental]
(2:21)- Performed by: George Martin & Orchestra
- Performed by: George Martin & Orchestra
- Another Girl (2:08)
- Recorded: February 15, 1965 at Abbey Road, London, England
with McCartney overdubbing lead guitar on February 16, 1965 - Instrumentation:
John Lennon - acoustic guitar, background vocal
Paul McCartney - lead vocal, bass guitar, lead guitar
George Harrison - lead guitar, background vocal
Ringo Starr - drums
- Recorded: February 15, 1965 at Abbey Road, London, England
- Another Hard Day's Night [instrumental]
(2:28)- Performed by: George Martin & Orchestra
- Performed by: George Martin & Orchestra
- Ticket To Ride (3:13)
- Recorded: February 15, 1965 at Abbey Road, London, England
- Instrumentation:
John Lennon - lead vocal, rhythm guitar, tambourine, hand-claps
Paul McCartney - bass guitar, lead guitar, harmony vocal, hand-claps
George Harrison - lead guitar, hand-claps
Ringo Starr - drums
- Recorded: February 15, 1965 at Abbey Road, London, England
- The Bitter End [instrumental]
/ You Can't Do That [instrumental]
(2:20)- Performed by: George Martin & Orchestra
- Performed by: George Martin & Orchestra
- You're Gonna Lose That Girl (2:20)
- Recorded: February 19, 1965 at Abbey Road, London, England
- Instrumentation:
John Lennon - lead vocal, acoustic guitar
Paul McCartney - bass guitar, piano, background vocal
George Harrison - lead guitar, background vocal
Ringo Starr - drums, bongos
- Recorded: February 19, 1965 at Abbey Road, London, England
- The Chase [instrumental] (2:24)
- Performed by: George Martin & Orchestra
- Performed by: George Martin & Orchestra
- Total playing time 29:14
I’m not a record/cd grading professional,"I BUY AND SELL,---VINYL PICKERS" but I examined each album / CD and or play all the tracks to try and provide a reasonable assessment of the playing and physical condition.
I used the grading scale described below to rate each album./ CD
Please also refer to the album photos for further condition information
GRADING.
Mint. Is New!
Never Played. you are the first to open or touch. MINT.
Near Mint is scaled in ten variation NM -1 though NM-10
IF I CAN SPOT MORE THEN 10
.
A (VG +) WILL BE GIVEN
VERY GOOD PLUS or VG+ record shows wear, surface scuffs. The vinyl still has a great luster, but the flaws will be noticeable to the naked eye.MORE THE 10 If the flaws don't cause any surface noise, the vinyl can still make the VG+ grade. COVERS: A virtually clean cover, but may have small writing on it. The artwork looks clean with slightly more aging. The back of the cover usually gives away the age of the cover. Flat white paper will be somewhat yellow yet no stains or mildew from water damage. Some minor wear to the seams or spine, but no tears or holes popping through. The corners will be slightly dog eared yet no crackly bends, defacing the artwork. In essence, a VG+ cover should have no more than 3 flaws mentioned.
VERY GOOD or VG: this record is a record that is good enough. They are not really going to look very good, but it will STILL play very good. there will almost always be some surface noise when they are played. The Dynamics should still be excellent, overpowering the surface noise. A VG record will appear well have been played but still have some luster. VG covers will look worn, used. There may be some seam splitting. There will be some ring wear, where the ink has begun to wear off. Giving the cover a look of snow falling. If the artwork looks snowy all over, it is less than VG condition. There may be some writing on the cover (still, no large letters in magic marker). It will look aged and more yellowish due to contamination's in the air (sometimes looking like cigarette smoke). Still it should be decent.
GOOD or G A good record will look very well played, dull, grayish and possibly abused. However a Good record should still play. It will have distracting surface noise. Such as crackle that is continuous or some hiss. Will also have some loss of dynamics caused from grooves being worn. It should play without any skips or any obtrusively loud pops or repeated clicks, caused by deep scratches. Good means that it will play with some form of decency, so one can still enjoy the music even though you can still hear noise caused from the wear. A Good cover will have just about everything wrong with it. It will have seam splits (possibly taped repaired, but only with scotch tape.May have magic marker writing on the cover but still if they are in huge letters, In essence, the cover will looked virtually trashed, but some artwork will still be noticed. If the artwork is worn, it is POOR and the cover is worthless.
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