BEATLES FOR SALE Limited RARE JAPAN MONO 2003 LP & 180G STEREO COMPARISON LP +CD

$

114

THE BEATLES – FOR SALE LP IN  MONO & STEREO COMPARISON - THE JAPAN EMI/TOSHIBA OBI MONO PRESSINGS IS THE TREMENDOUSLY RARE LONG OUT OF PRINT JAPAN PRESSING THAT IS ONLY AT ONE SITE NOW AND IS SELLING FOR $200 ALONE. THAT HOW RARE THIS MONO RELEASE IS IN THE COLLECTORS MARKET.  

COLLECTORS NOTE: THESE BEATLES JAPAN EMI/TOSHIBA MONO PRESSINGS ARE TREMENDOUSLY RARE LONG OUT OF PRINT TITLES THAT WERE ONLY PRESSED ON FUTURES AND ONCE SHIPPED WENT IMMEDIATELY OUT OF PRINT IN 2003. PROBABLY THE MOST LIMITED EDITION HIGH QUALITY PRESSINGS EVER OF THESE BEATLES TITLES. SO RARE NOW SITES NOW ARE SELLING THESE SPECIFIC TITLES FOR $100'S ALONE. THE ABBEY ROAD FROM THIS SERIES SOLD FOR OVER $800 AND THIS IS PROBABLY THE LAST NEW COPY OF THIS JAPAN EMI/TOSHIBA 2003 PRESSING LEFT IN THE WORLD. THAT HOW RARE THESE RELEASES ARE WITHIN THE COLLECTORS MARKET.  NO ONE CAN BEAT THIS PRICE. SO DON'T MISS OUT THIS BEATLES COLLECTIBLE FOR YOUR TURNTABLE OR COLLECTION.

 COLLECTORS NOTE: THE BEATLES ALWAYS DID TWO DIFFERENT MIXES AND TOTALLY DIFFERENT VERSIONS/TAKES FOR THEIR MONO AND STEREO LP'S. GEORGE MARTIN ENSISTED ON THIS PROCESS. SO REALLY THERE IS TWO TOTALLY DIFFERENT REVERSIONS FOR EACH LP  IN THE SEPARATE MONO MIXES AND STEREO MIXES. THE MONO VERSIONS ARE A COLLECTORS DREAM TO OWN AND MAKES FOR GREAT COMPARISONS FROM THE TWO VARIOUS MIXES IN YOUR LISTENING ROOM. ENJOY AND LISTED TO THE DIFFERENCE AND SEE WHICH YOU ENJOY THE MOST WITH YOU AND YOUR FRIENDS.

This album has been direct-metal-mastered from original mono pressing to give the best possible sound quality.  Mymusicfix has listened to it – AND IT SOUNDS GREAT!!

Rare, Limited Edition, one-time MONO pressing - booked on futures - immediately Out of Print - OBI sash - Japanese Pressed by Toshiba/EMI

These JAPAN OBI LIMITED EDITION MONO pressings are sent with the vinyl outside of the jackets when being shipped to the U.S. to protect the covers from damage. Once inside the our warehouse we then protectively seal the title in a loose re-sealable plastic cover to ensure the quality of the product. This title is brand new & never played condition.

BEATLES FOR SALE came out for the 1964 Christmas market. The Beatles, whose instincts for what worked musically were so strong that they could basically do no wrong--any record that has "Baby's in Black," "I Don't Want to Spoil the Party" and the delectable "Eight Days a Week" on it is only "minor" in the most relative sense. And, though their voices had been frazzled a bit by constant touring, they revved them up for some joyous shouting, and indulged their fondness for American country in subtle, playful ways.

1. No Reply 2. I'm A Loser 3. Baby's In Black 4. Rock 'n' Roll Music 5. I'll Follow The Sun 6. Mr. Moonlight 7. Kansas City 8. Eight Days A Week 9. Words Of Love 10. Every Little Thing 11. Honey Don't 12. Don't Want To Spoil The Party 13. What You're Doing 14. Everybody's Tryin' To Be My Baby

NEW STEREO LIMITED EDITION 180 GRAM PRESSING JUST RELEASED IN NOVEMBER 2012 AND THIS PRESSING IS FROM THE 1ST PRESS ON THIS NOVEMBER RELEASE DATE FOR THESE 180 GRAM 1ST EDITIONS; INFORMATION ABOUT THESE NEW 180 GRAM PRESSINGS - 

REMASTERING THE BEATLES’ ORIGINAL STUDIO ALBUMS FOR VINYL:
There has always been demand for The Beatles’ albums on vinyl. Indeed, 2011’s best-selling vinyl LP in the United States was Abbey Road. Following the success of The Beatles’ acclaimed, GRAMMY Award-winning 2009 CD remasters, it was decided that the sound experts at EMI’s Abbey Road Studios should create new versions of The Beatles’ vinyl LPs. The project demanded the same meticulous approach taken for the CD releases, and the idea was a simple one: cut the digital remasters to vinyl with an absolute minimum of compromise to the sound. However, the process involved to do that was far from simple.

The first stage in transferring the sound of a master recording to vinyl is the creation of a disc to be used during vinyl manufacture. There were two options to consider. A Direct Metal Master (DMM), developed in the late seventies, allows sound to be cut directly into a stainless steel disc coated with a hard copper alloy. The older, alternative method is to cut the sound into the soft lacquer coating on a nickel disc - the first of several steps leading to the production of a stamper to press the vinyl.

A ‘blind’ listening test was arranged to choose between a ‘lacquer’ or ‘copper’ cut. Using both methods, A Hard Day’s Night was pressed with ten seconds of silence at the beginning and end of each side. This allowed not only the reproduction of the music to be assessed, but also the noise made by the vinyl itself. After much discussion, two factors swung the decision towards using the lacquer process. First, it was judged to create a warmer sound than a DMM. Secondly, there was a practical advantage of having ‘blank’ discs of a consistent quality when cutting lacquers.

The next step was to use the Neumann VMS80 cutting lathe at Abbey Road. Following thorough mechanical and electrical tests to ensure it was operating in peak condition, engineer Sean Magee cut the LPs in chronological release order. He used the 24-bit Digital Masters Sourced from the Original Analog Master Tapes rather than the 16-bit versions that were required for CD production. It was also decided to use the remasters that had not undergone ‘limiting’ - a procedure to increase the sound level, which is deemed necessary for most current pop CDs.

Having made initial test cuts, Magee pinpointed any sound problems that can occur during playback of vinyl records. To rectify them, changes were made to the remasters with a Digital Audio Workstation. For example, each vinyl album was listened to for any ‘sibilant episodes’ - vocal distortion that can occur on consonant sounds such as S and T. These were corrected by reducing the level in the very small portion of sound causing the undesired effect. Similarly, any likelihood of ‘inner-groove distortion’ was addressed. As the stylus approaches the centre of the record, it is liable to track the groove less accurately. This can affect the high-middle frequencies, producing a ‘mushy’ sound particularly noticeable on vocals. Using what Magee has described as ‘surgical EQ,’ problem frequencies were identified and reduced in level to compensate for this.

The last phase of the vinyl mastering process began with the arrival of the first batches of test pressings made from master lacquers that had been sent to the two pressing plant factories. Stringent quality tests identified any noise or click appearing on more than one test pressing in the same place. If this happened, it was clear that the undesired sounds had been introduced either during the cutting or the pressing stage and so the test records were rejected. In the quest to achieve the highest quality possible, the Abbey Road team worked closely with the pressing factories and the manufacturers of the lacquer and cutting styli.

An additional and unusual challenge was to ensure the proper playback of the sounds embedded in the ‘lock-groove’ at the end of side two of Sgt. Pepper’s Lonely Hearts Club Band. Requiring a combination of good timing and luck, it had always been a lengthy and costly process to make it work properly. In fact, it was so tricky, it had never been attempted for American pressings of the LP. Naturally, Sean Magee and the team perfected this and the garbled message is heard as originally intended on the remastered Sgt. Pepper LP.

Highly-skilled technicians have worked long and hard to make The Beatles on vinyl sound better than ever. All we need to do is listen to the results of their dedicated labour on the remastered LPs. Handle with care. But most of all, enjoy the music.

Features:
• Available for the First Time on 180 Gram Vinyl
• Cut at Abbey Road Studios using the Non-Limited 24-bit Digital Masters Sourced from the Original Analog Master Tapes!

E-BAY STORE. FOR YOUR INDIVIDUAL BEATLES SELECTIONS - INDIVIDUAL TITLE INFORMATION OR INDIVIDUAL PURCHASE JUST HIT THIS STORES TAB >.& TYPE IN THEBEATLES INTO THE SEARCH FIELD WITHIN OUR STORES SECTION AS YOUR PERSONAL CODE AND ALL INDIVIDUAL TITLES + INFORMATION WILL APPEAR

The nicest thing you can do for your stylus and your ears.  The ultimate record -- the way music was meant to be heard.

PLUS FOR YOUR CAR STEREO WE ARE ADDING THE STEREO 2009 CD RELEASE

First time available in stereo in its entirety on CD!

Features:
• Re-mastered at EMI's Abbey Road Studios in London
• Each CD is packaged with replicated original UK album art
• Housed in three-panel soft digi-pak
• Includes expanded booklets containing original and newly written liner notes
• Rare photos
• For limited period, each CD will be embedded with a brief documentary film about the album.
• Made in the U.S.A.

Their fourth album, released in December of 1964, produced the hit single "Eight Days a Week".

The original Beatles catalogue has been digitally re-mastered for the first time for worldwide CD release. Each CD is packaged with replicated original UK album art, including expanded booklets containing original and newly written liner notes and rare photos. For a limited period, each CD will also be embedded with a brief documentary film about the album. 

The albums have been re-mastered by a dedicated team of engineers at EMI’s Abbey Road Studios in London over a four year period utilizing state of the art recording technology alongside vintage studio equipment, carefully maintaining the authenticity and integrity of the original analogue recordings. The result of this painstaking process is the highest fidelity the catalogue has seen since its original release.

The stereo CD includes track listings and artwork as originally released in the UK. Within the CD’s new packaging, booklet includes detailed historical notes along with informative recording notes. These stereo CDs will be housed in a three-panel eco digi-pack with 14 page booklet. 

A newly produced mini-documentary on the making of the album, directed by Bob Smeaton, is included as a QuickTime file on the album. The documentary contains archival footage, rare photographs and never-before-heard studio chat from The Beatles, offering a unique and very personal insight into the studio atmosphere.

"For the new remasters, the engineer went back to the original 1960's analog master tapes. Remastering is about working with, sharpening, amplifying, clarifying, and enhancing what are already the settled (or established) facts of the original mix. A listening session in early June at Electric Lady Studios in Manhattan confirmed that this is exactly what has been done. In A/B comparisons with the 1987 CD versions, the Beatles' records sounded more alive, more spirited, with greater dynamic range, and a new spaciousness that was very apparent... These new releases are an audiophile's dream - on good gear, they do sound much improved." - Robert Baird, Stereophile Magazine, October 2009, Vol. 32, No. 

Selections:
1. No Reply
2. I'm A Loser
3. Baby's In Black
4. Rock And Roll Music
5. I'll Follow The Sun
6. Mr. Moonlight
7. Kansas City : Hey-Hey-Hey-Hey!
8. Eight Days A Week
9. Words Of Love
10. Honey Don't
11. Every Little Thing
12. I Don't Want To Spoil The Party
13. What You're Doing
14. Everybody's Trying To Be My Baby

Check out Mymusicfix for additional Audiophile Vinyl by hitting “ME” OR the Mymusicfix STORE tab on the Title Purchase Page to view our current items up on E-Bay. 

Import duties, taxes, and charges are not included in the item price or shipping cost. These charges are the buyer's responsibility. Please check with your country's customs office to determine what these additional costs will be prior to bidding or buying. Note: It's illegal to falsify customs declarations or mark an item as a "gift" in order to avoid customs fees

INTERNATIONAL BUYERS NEED TO BE AWARE OF THE CUSTOM'S TAXES IN THEIR OWN COUNTRY AND KNOW THEY (AS THE BUYER) ARE RESPONSIBLE FOR CUSTOMS TAXES. 

OUT OF PRINT PRODUCT is IRREPLACEABLE and therefore NOT RETURNABLE.

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