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or INSTRUCTIONS --- PLEASE DO NOT BID !!

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ALL VINYL IS RATED VISUALLY - UNDER DIRECT SUNLIGHT & BRIGHT INCANDESCENT LIGHT

A WORD ABOUT MY SHIPPING CHARGES ---------

I HAPPILY COMBINE SHIPPING CHARGES FOR MULTIPLE PURCHASES WITHIN A 5 DAY PERIOD - 2nd ITEM: $2.00 - 3rd - 4th - 5th ITEMS: $1.00 each

OVER 5 LPs REQUIRES A NEW SHIPPING PACKAGE & CHARGE

REMEMBER: THERE'S A LOT MORE THAN JUST POSTAGE COSTS TO SHIP THE ITEMS I SELL. 

MOST OF THESE ITEMS REQUIRE:

1- ONE (1) OR MORE PROTECTIVE VINYL SLEEVES THAT I PURCHASE NEW
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3- SPECIALISED SHIPPING BOXES THAT I HAVE TO PURCHASE NEW TO PROFESSIONALLY PACKAGE & SHIP YOUR ITEMS SAFELY AND WELL PROTECTED AGAINST ROUGH POSTAL HANDLING.
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PLEASE TAKE THIS INTO CONSIDERATION WHEN YOU RATE MY SHIPPING CHARGES.

THANK YOU.

SORRY, No RETURNS

Review the photos carefully, use them to determine if the item meets your standards. Ratings vary greatly from person to person so:

---PLEASE BE SURE--- you REALLY want this item --- BEFORE BIDDING ---

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all sales final --- All Sales Final --- ALL SALES FINAL

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PAYMENT MUST BE RECEIVED WITHIN: 7 DAYS AFTER AUCTION CLOSE!!

OR SELLER RESERVES THE RIGHT TO CANCEL SALE AND RELIST  THE ITEM

I TRY to ship within 48hrs. of payment!--- Shipping is GUARANTEED within 5 days of payment!!!

 
SEE GOLDMINE RECORD GRADING INFORMATION at VERY BOTTOM


 
NOW THAT THE very small print IS OVER WITH


USA Shipping is: $5.99 US MEDIA MAIL
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UP FOR AUCTION IS

AN
ULTRA RARE

UK IMPORT
PRESSING

of

BADFINGER

"Wish you Were Here" 

WARNER BROTHERS RECORDS
MADE IN U.K.
STEREO - K 56076

MATRIX NUMBERS
SIDE ONE: K 56076 - A2
SIDE TWO: K 56076 - B2

ONE DRILL HOLE IN COVER

I HAVE OWNED AND CARED FOR THIS RECORD FOR OVER 30-35 YEARS

___________

VINYL: NM
VERY VERY FAINT & SLIGHT INNER SLEEVE SCUFFING
---
LABELS: NM
---
COVER: VG+
ONE DRILL HOLE
PLEASE SEE PHOTOGRAPHS

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SOME HISTORY BEHIND THE MUSIC:

Wish You Were Here 

Wish You Were Here Studio album by Badfinger Released November 1974 Recorded 1974, Caribou Ranch, Nederland, CO Genre Power pop Length 36:00 Label Warner Bros. Producer Chris Thomas Professional reviews

• Allmusic link

Badfinger chronology Badfinger
(1974) Wish You Were Here
(1974) Airwaves
(1979)

Wish You Were Here is the sixth album by rock band Badfinger and their third consecutive album produced by Chris Thomas. It was recorded in the spring of 1974 at Colorado's Caribou Ranch and released in November of that year on Warner Bros. Records. It was the second and last album the band released on the WB label.

History

Although the album received positive reviews in music magazine Rolling Stone upon its release and is sometimes considered to be the band's best work, it was pulled out of record stores in 1975, seven weeks after release, because of a lawsuit between WB music publishing and Badfinger's management. The album's abbreviated manufacturing run and short tenure on the market has made the original LP relatively rare.

Before being recalled, the album had time enough to chart, peaking at #148 in the US. In the 1990s it was re-released in CD format in Japan and Germany only, making Wish You Were Here difficult to find in this format as well. Most of the tracks, however, have been released on other Badfinger compilations.

Wish You Were Here was Badfinger's fifth and final album with "core" band member Joey Molland. Also, after completing the album, Pete Ham decided to quit Badfinger; he was replaced by keyboardist/guitarist Bob Jackson. However, after Warners indicated that it would drop the band if Ham quit, he decided to return, and the band completed a tour as a five-member group. After the tour, Joey Molland resigned from the band.

Although the next Badfinger album to be released was Airwaves in 1979, Ham, Evans, Gibbins and Jackson recorded an album titled Head First in December 1974, the band's seventh and last album with the original Ham-Evans-Gibbins nucleus that dated back to The Iveys. This album, however, was not released until 2000 due to more lawsuits between WB and Badfinger's management.

Track listing

1. "Just a Chance" (Ham) - 2:58
2. "You're So Fine" (Gibbins) - 3:03
3. "Got to Get Out of Here" (Molland) - 3:31
4. "Know One Knows" (Ham) - 3:17
5. "Dennis" (Ham) - 5:15
6. "In the Meantime" (Gibbins)/"Some Other Time" (Molland) - 6:46
7. "Love Time" (Molland) - 2:20
8. "King of the Load (T)" (Evans) - 3:32
9. "Meanwhile Back at the Ranch" (Ham)/"Should I Smoke" (Molland) - 5:18

Personnel

• Joey Molland - Vocals, guitar
• Pete Ham - Vocals, guitar, keyboards
• Mike Gibbins - Vocals, drums, keyboard
• Tom Evans - Vocals, bass

with

• Average White Horns - Horns on "Should I Smoke"
• Mika Kato - Japanese spoken words on "Know One Knows" (uncredited)

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The GOLDMINE STANDARD
for
RECORD GRADING

 
THE TRUTH BEHIND THE GRADES
 
Most of the time, LPs are sold with two grades — one for the record and one for the cover. We list only one grade, however, because with some exceptions, albums without covers are worthless, and covers without the accompanying record are worthless. If an album is graded VG for the cover and VG+ for the record, add the two values together and divide by 2 to get a rough estimate of the value of a “mixed-grade” LP.

Most records are graded visually. This is because most record dealers have lot of records — hundreds of thousands in some cases — and they don’t have the time to play their entire stock. That said, some defects are easy to see, such as scratches and warps. Others are subtle, such as groove wear from using a cheap or poorly aligned tone arm. It has been our experience that older LPs (1950s to about 1971) tend to play better than they look, and newer LPs (at least until 1989) tend to play worse than they look.
When grading your records, do so under a strong light. Look at everything carefully, and then assign a grade based on your overall observations.
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Here are the standard grades for record albums, from best to worst.

SEALED ALBUMS  
Still-sealed albums can — and do — bring even higher prices than those in our listings. However, you must be careful when paying a premium for sealed LPs of any kind for several reasons:

1.  They may have been re-sealed.
2.  The records may not be in Near Mint condition.
3.  The record inside may not be the original or most-desirable pressing.
4.  Most bizarre of all, the wrong record my be inside. (I’ve had this happen to me; I opened a sealed album by on MCA artist only to find a record by a different MCA artist inside! Fortunately, I didn’t pay a lot of or that sealed LP. I would have been quite upset if I had!)

MINT (M)
These are absolutely perfect in every way. Often rumored but rarely seen, Mint should never be used as a grade unless more than one person agrees that the record or sleeve truly is in this condition.

There is no set percentage of the Near Mint value these can bring; it is best negotiated between buyer and seller.

NEAR MINT (NM OR M-)
A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect.

Many dealers won’t use a grade higher than this, implying (perhaps correctly) that no record or sleeve is ever truly perfect.

Near mint records are shiny and free of visible defects. No writing, stickers, other markings or spindle marks appear on the label. No major factory defects are present; a record and label obviously pressed off center is not Near Mint.

If played, an NM record will do so without surface noise. Near Mint records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.

NM covers have no creases, ring wear or seam splits of any kind.

These are high standards, and they are not on a sliding scale. A record or sleeve from the 1950s must meet the same standards as one from the 1990s or 2000s to be Near Mint!

It is estimated that no more than 2 to 4 percent of all records remaining from the 1950s and 1960s are truly Near Mint. This is why they fetch such high prices, even for more common items. They must meet these standards to qualify.
 
VERY GOOD PLUS (VG+) OR EXCELLENT (E)
A good description of a VG+ Record is “except for a couple of minor things, this would be Near Mint.”

Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it is toward the high end of the grade, (sometimes called VG++ or E+).

VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Slight warps that don’t affect the sound are OK. Minor signs of handling are OK, too, such as telltale marks around the center hole, so long as repeated playing has not misshapen the hole. There may be some very light ring wear or discoloration, but it should be barely noticeable.

VG+ Covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable locataion. Also, a VG+ cover may have some defacing, such as a cut-out marking. Covers with cut-out markings can never be considered Near Mint.

VERY GOOD (VG)

Many of the imperfections found on a VG+ Record are more obvious on a VG record. That said, VG records — which usually sell for no more than 25 percent of a an NM record — are among the biggest bargains in record collecting, because moost of the “big money” goes for more perfect copies. For many listeners, a VG record or sleeve will be worth the money.

VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail.

When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise won’t overpower the music otherwise. Minor writing, tape or a sticker can detract from the label. Many collectors who have jukeboxes will use VG records in them and not think twice. They remain a fine listening experience, just not the same as if it were in better shape.

VG covers will have many signs on human handling. Ring wear in the middle or along the edges of the cover, where the edge of a record would reside, is obvious; it may appear on all three sides, thought it won’t be obvious upon looking. Someone might have written on it or stamped a price tag on it, too.

GOOD (G), GOOD PLUS (G+) OR VERY GOOD MINUS (VG-)

Lower-grade records go for 10 to 15 percent of the Near Mint value, if you are lucky.

Good does not mean bad! The record still plays through without skipping, so it can serve as filler until something better comes along. But it has significant surface noicse and groove wear. The label is worn and exhibits significant ring wear, heavy writing or obvious damage caused by tring to remove tape or stickers and failing miserably.

A Good to VG- cover has ring wear to the point of distraction, has seam splits obvious on sight and may have even heavier writing, such as huge radio station letters written across the front to deter theft.

If the item is common, it’s probably better to pass it up. But if you’ve been seeking it for a long time, get it cheap and look to upgrade.

POOR (P) AND FAIR (F)

Poor and Fair records go for 0 to 5 percent of the Near Mint value, if they go at all.

More likely, they end up going in the trash. Records are cracked, impossibly warped or skip and/or repeat when an attempt is made to play them. Covers are so heavily damaged that you almost want to cry.

Only the most outrageously rare items ever sell for more than a few cents in this condition — again, if they sell at all
7" - standard 45 RPM co - cut-out pc - picture sleeve sl - slight UK- United Kingdom (British Pressing) 10" - 10-inch vinyl LP dj - Disc Jockey (promo) pi - picture Insert (CD Single) sm spl - Seam Split US - United States (domestic pressing) 12" - 12-inch single ep - Extended Play promo - promotional copy soc - sticker on cover va - various artists bb - bb hole in cover imp - import ps - picture sleeve (45) sol - slicker on label wlp - white label promo boot - bootleg lp - 12" vinyl album quad - quadraphonic ss - still sealed woc - writing on cover cc - cut corner m - mono Lp re - reissue s/t - self titled wol - writing on label cd - compact disc nap - not affecting play ri - reissue tc - title cover (12" and CD's) xol - "x" on label cd3 - 3" compact disc single non-lp- not on full-length LP or CD rpm - revolutions per minute ti - title insert (CD single) * check the context, as "m" can also mean "mint" cd5 - 5" compact disc single oc - original cast recording rw - ring wear toc - tape on cover   coh - cut-out-hole ost - original soundtrack s - stereo Lp tol - tape on label