At The Drive In Mars Volta Vaya 10” Color Rare Sparta Omar Rodriguez-Lopez
$
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Description
At The Drive In Mars Volta Vaya 10” Color Rare Sparta Omar Rodriguez-Lopez
At.The.Drive.In* – Vaya
Label:
Fearless Records – F040-1
Format:
Vinyl, 10", EP, White
Country:
US
Released:
1999
Genre:
Rock
Style:
Emo, Hardcore
A1 Rascuache
Mixed By, Recorded By – Mike Major
A2 Proxima Centauri
Mixed By, Recorded By – Alex Newport
A3 Ursa Minor
Producer – Sean Cummings
Recorded By – Bobby Torres (2), Justin Leah*
A4 Heliotrope
Mixed By, Recorded By – Alex Newport
B1 Metronome Arthritis
Mixed By, Recorded By – Mike Major
B2 300 MHz
Producer – Sean Cummings
Recorded By – Bobby Torres (2), Justin Leah*
B3 198d
Mixed By, Recorded By – Mike Major
Recorded At – Rosewood Studios
Mixed At – Rosewood Studios
Recorded At – Doug Messenger's Studio
Mixed At – Doug Messenger's Studio
Recorded At – Village Productions
Mastered At – Masterworks, Los Angeles
Layout, Design – Joe D Foster*
Mastered By – John Matousek
Photography By [All Other Photos] – Paul Drake
Photography By [Cover] – Rick Robot
Combining emotional melodies and upbeat rhythms moving at an unpredictable rate, At the Drive-In definitely stuck out in their hometown of El Paso, Texas. Formed in early 1994, the group debuted soon after with its first EP, Hell Paso, followed by a brief tour across the Lone Star State. With a lineup secured by Cedric Bixler (vocals), Omar Rodriguez-Lopez and Jim Ward (guitar), Paul Hinojos (bass), and Tony Hajjar (drums), At the Drive-In released a second EP, Alfaro Vive, Carajo!, and toured mostly empty houses and clubs across the western United States. A small gig in Los Angeles -- with an audience consisting of only nine people -- somehow got the attention of Flipside Records, which released the band's first full-length, Acrobatic Tenement, in 1996. With constant energy and a stubborn enthusiasm to continue, At the Drive-In began to develop an audience, helped out by constant touring and word-of-mouth hype. Their 1997 follow-up EP, El Gran Orgo, had more of a melodic bite, but their musical depth and originality remained. In/Casino/Out followed in 1998, and 2000 saw the release of Relationship of Command.
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