Alarm von Peter Brötzmann Group - LP Avantgarde FMP 1030
€
25
$
29
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Description
Ich löse meine LP Sammlung auf (unsere Familienplanung lässt mein Hobby leider nicht mehr in dem Maße zu, wie dies früher für mich noch möglich war) .
Daher biete ich an:
"Alarm"
von
Peter Brötzmann Group
LP
FMP 1030
Recorded during the 164th NDR-Jazzworkshop, november 12th, 1981 at the Funkhaus Hamburg. Produced by Peter Brötzmann and Jost Gebers.
Brötzmann first released on FMP in 1983 - another one of the crucial Brötzmann albums, finally re-released on vinyl.
- Tracklisting
- 1 ALARM, PART 1
- 2 ALARM, PART 2
- 3 JERRY SACEM
Noch original verschlossene LP. Ich habe sie nach den tollen Kritiken und als Brötzmann Verehrer gekauft, aber dann doch nicht gehört und nicht geöffnet.
Deshalb Neuzustand!
Jazz LP aus privater Sammlung !
File under: Modern Jazz / Avantgarde
Keine Garantie / Gewährleistung / Rücknahme nach EU-Recht, da es sich hier um einen Verkauf aus Privatbesitz handelt.
Versand: 3,90 (innerhalb Deutschlands). Das Porto sparen bei weiteren LPs aus meiner Sammlung bietet sich an und freut mich natürlich...
Die LP bekommt noch eine extra Schutzhülle aus Kunststoff und wird gut verpackt für den Versand.
Abholung ist natürlich auch möglich.
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Weltweiter Versand möglich, Versandkosten bitte anfragen!
Paypal possible, too!
Info aus dem Netz:
Originally recorded in 1981 and released in 1983 on FMP—still at the height of the Cold War—Alarm consists of what might be called a Brötzmann little big band interpreting a reaction to a nuclear emergency. The title track is a 37-minute tour de force, with the nine-piece ensemble (Brötzmann, Frank Wright and Willem Breuker on saxophones, Hannes Bauer and Alan Tomlinson on trombones, Toshinori Kondo on trumpet, Alexander von Schlippenbach on piano, Harry Miller on bass and Louis Moholo on drums) setting a sort of clarion call for nuclear disarmament. Saxophonist Brötzmann’s basic composition of a series of waves and straight tones allows the band to hurtle right out of the gate, with the brass howling in unison. After the initial “warning,” the group attacks with urgency, exploring shades of fear, paranoia, violence and confusion, always returning back to the sirenlike alarm.
Admittedly, Wright’s amateurish but impassioned approach (of course informed by Ayler) takes the forefront here, but the interaction between these musicians is at such a sophisticated and sympathetic level that it never seems like a free-for-all blowout. Particularly impressive are Bauer and Tomlinson’s trombone work and Schlippenbach’s probing piano. Surprisingly, there are moments where it sounds as if a Dixieland band just got off a spaceship and landed in the middle of a war. Like the best free jazz, “Alarm” runs the gamut of emotions, accurately reflecting life during an uncertain and precarious era. The album—and performance—closes with Wright’s “Jerry Sacem,” a short joyful piece with celebratory vocals and more New Orleans-style Dixieland meets 1940s R&B with the ever-present cacophony of the ’60s revolution.
Alarm matches the best of Brötzmann’s visceral, excessive-yet-exhilarating work (1968’s Machine Gun and 1969’s Nipples) but is also a heady concept that succeeds.
price rating
![Alarm [Vinyl LP] Brötzmann, Peter Group](https://www.popsike.com/php/thumbnail.php?url=https://www.popsike.pics/pix/20230516/225579816441.jpg)
