ATOMIC ROOSTER ORIG 1970 B&C RECORDS LP "KEYBOARD MIX" NEAR MINT COND RARE
$
143
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Description
ATOMIC ROOSTER~ORIG 1970 B&C RECORDS LP~"KEYBOARD MIX"~NEAR MINT COND~RARE!
Product Description
ANOTHER LP FROM THE AMAZING COLLECTION OF 10,000+ LPs THAT WE ARE OVERJOYED TO HAVE PURCHASED!
THE VAST MAJORITY OF THE ALBUMS IN THIS COLLECTION HAD BEEN HORDED OVER A PERIOD OF 30 YEARS STARTING IN THE MID-1980s AND CONTINUING UP THROUGH 2014!
TO SAY THAT THE PREVIOUS OWNER WAS OBSESSED WITH COLLECTING WOULD BE AN UNDERSTATEMENT.
Atomic Rooster ?? Atomic Rooster
B & C Records ?? CAS 1010
This is the VERY RARE first pressing, and has become known as "the original keyboard only mix".
It does not contain the addition of John Du Cann's guitars, which were added for a subsequent virtually identical looking release.
Labels have large B&C logos with textured surface.
COVER IS IN NEAR MINT CONDITION WITH ONLY VERY LIGHT WEAR.
VINYL IS IN NEAR MINT CONDITION AND DOES NOT APPEAR TO HAVE BEEN PLAYED!
A 45 YEAR OLD LP!
EXTREMELY HARD TO FIND THIS EDITION IN THIS CONDITION!
The incipient incarnation of Atomic Rooster -- with Vincent Crane (organ/vocals), Nick Graham (vocals/bass), and Carl Palmer (drums) -- was together just long enough to document its debut, Atomic Roooster (1970) -- (note: the extra O is intentional). Prior to the last-minute addition of Graham -- the only bassist Atomic Rooster ever had -- the band emerged from the remnants of the then recently defunct Crazy World of Arthur Brown. The material was primarily courtesy of Crane and consisted of heavier sides. His versatility is evident throughout the impressive array of styles ranging from the folk-inspired pastoral "Winter" to the bluesy horn arrangement heard on "Broken Wings." This directly contrasts driving rockers such as the album's edgy opener, "Friday 13th," or the aggressive "S.L.Y." "Decline and Fall" is a jazz-infused number boasting some exceptional if not incendiary instrumental interaction, most notably from Crane and Palmer. Lyrically, Crane reveals his penchant for dark imagery, including the fatalistic "What is the point of going on?" chorus that runs through the aforementioned "Winter" or the sexually snide "And So to Bed." Support was bolstered by strong live appearances, positive word-of-mouth, and a few significant BBC Radio sessions -- all of which resulted in Atomic Roooster making a respectable showing at number 49 on the U.K. LP charts. By the time the platter was picked up by Elektra Records in North America, the personnel had already changed with John Cann (guitar/vocals) replacing Graham. In an interesting move, they decided that Cann should also overdub guitar parts to "S.L.Y." and "Before Tomorrow," as well as provide a new vocal to "Friday 13th." The transformation didn't end there, either, as the original running order was also significantly altered. Parties interested in hearing both should locate the 2004 reissue, as the supplementary selections feature the U.S. version(s), plus a pair of uniformly excellent selections broadcast on BBC Radio -- "Friday 13th" and "Seven Lonely Streets" (aka "Seven Streets") from Atomic Rooster's follow-up LP, Death Walks Behind You (1970). Of further historical note is that the live-in-the-studio BBC recordings were documented less than a week before the departure of Palmer, effectively ending the first lineup.
PLEASE READ CAREFULLY:
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In Your Ear has been selling music to the masses since 1982. We carry new and used LPs, CDs, DVDs, 45s, 12" singles, posters and who-knows-what-else! We have 2 physical locations in Massachusetts and 1 in Rhode Island:
957 Commonwealth Avenue, Boston, MA. 02215 72 Mt. Auburn Street, Cambridge, MA. 02138 462 Main Street, Warren, RI 02885
RECORD GRADING POLICY
MINT = like new or near new with only one or two small insignificant defects, a 9 or better on a 1-10 scale
EXCELLENT = Would be Near Mint, except for a couple of light hairlines or scuffs, which do not affect play
VG++ = still a very nice record with all or nearly all of its original gloss but may have a few more light, surface marks, hairlines, needle tracks or the like which should not materially affect play
VG+ = a nice, but used record that may have a series of light scuffs or scratches. It probably plays with a few pops, but has no serious problems.
VG = a well-used record that still should sound OK when played, but may have moderate surface noise, pops, etc.
VG- = a very well-worn record that plays through without skipping, but will do until a better copy comes along.
Good = not actually good at all but probably will play through but with much in the way of surface noise, pops, crackles, etc. Still, will have no cracks, chips or the like
Fair = you'?re getting this record just to own but not to play
Poor = the sky's the limit, generally I will discard a record this bad (and sell the cover, jacket or sleeve alone) unless the label holds some particular interest
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