ALLEN GINSBERG GINSBERG'S THINGS NM ORIG '70 DOUGLAS LP
$
58
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· ALLEN GINSBERG – GINSBERG’S THING - ORIGINAL 1969 DOUGLAS RECORDS STEREO LP DOUGLAS SD-801
· ORIGINAL U.S. PRESSING
· ORIGINAL SILVER DOUGLAS LABEL WITH BLACK PRINT
· DEEP GROOVE PRESSING
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· THICK CARDBOARD GATEFOLD COVER, AMERICAN STYLE.
· ORIGINAL LAMINATED COVER
· COVER IS STILL IN ITS ORIGINAL SHRINK (CELLOPHANE) WRAP
· THICK, HEAVY VINYL PRESSING
· CLEAN, WEAR-FREE LABELS
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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One of the great privileges I’ve had in my quarter-century of living in New York was meeting Allen Ginsberg in person during an interview he gave for a New Jersey-based fanzine just a few months before he passed away. He was painfully frail and visibly sick, and one could see that the end was near. Despite being in almost palpable pain, Ginsberg was a picture of grace, gentleness and humanism. He waxed poetic, and at some length, about his Buddhist beliefs, particularly the impermanence of one’s identity and the fact that everything must disappear and dissolve in the larger Cosmic Self. Nothing, he claimed - one’s identity in particular - is permanent and eternal. Everything must end and endure the great cosmic oblivion, he believed.
The only thing I regret is that I was so tong-twisted and (unduly) intimidated by the presence of this guru of American counterculture that I only managed to utter a few words. I was mesmerized into paralysis. Oh, well. I am sure we’ll meet again some day, Mr. Ginsberg. Although, with my luck, we will have both assumed different cosmic identities by then L
This album contains his performance at the 1968 International Festival of Two Worlds in Spoleto, Italy, during which he was briefly arrested by Italian authorities on obscenity charges and then promptly released.
For additional historical information on Allen Ginsberg ►click here
THIS IS A NO-RESERVE AUCTION!
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs - are (barely) visible, but are probably inaudible, and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.
(b) The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).
(c) The record is apparently pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(d) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):
COVER IS STRONG NEAR MINT, STILL IN ITS ORIGINAL ►SHRINK WRAP
The following flaws or imperfections are noted on the cover:
- Cover has a few tiny wrinkles along the spine (nothing significant)
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No ring wear
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No yellowing from aging
- No writing
- No stamps
- No tearing: no chips, dents or nicks on the seams
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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