ALISON KRAUSS & UNION STATION SO LONG SO WRONG MFSL ROUNDER 2xLP #’d MT

$

43

Here is a MINT! SEALED! DOUBLE LP! by ALISON KRAUSS & UNION STATION titled SO LONG SO WRONG. It is an US pressing from MOBILE FIDELITY SOUND LAB on the ROUNDER label, catalog #MFSL 2-276 in STEREO sound, NUMBERED! #7341, and released in 1997. The vinyl is in presumed MINT! condition since it is SEALED!, shiny and black with SUPERB! playback. The cover is in MINT! condition in IT’S ORIGINAL SEALED BAGGIE! It is an opportunity to purchase this #’d MFSL! DOUBLE! LP by ALISON KRAUSS & UNION STATION in SEALED! MINT! condition. It’s a true gem for the CONTEMPORARY COUNTRY / CONTEMPORARY BLUEGRASS / ROCK collector! SEALED COPIES ARE GETTING HARDER TO FIND! Email me with any questions and be sure to look at the pic’s. I DO NOT ACCEPT BIDS FROM OR MAIL TO SOUTH AMERICA, SOUTH AFRICA, ITALY & OTHER COUNTRIES. IF YOU ARE NOT FROM THE USA CONTACT ME BEFORE BIDDING! International bidders can email me for shipping rates. SHIPPING IN THE US IS $4.00 for MEDIA MAIL. I COMBINE SHIPPING. US BUYERS PLEASE WAIT FOR INVOICE! Thanks for Looking & Good Luck!

Music Review from AllMusic.com by Cub Koda

After mainstream success happened for Alison Krauss & Union Station, one would have rightly expected a commercial sweetening of their sound, resulting in diminishing (or even abandoning) the simple but very unique thing that brought them into the public eye -- and eventual public acclaim -- in the first place. But the group's first new recording in the wake of the surprise success of Now That I've Found You: A Collection finds Alison Krauss & Union Station happily keeping their eclectic focus firmly on the prize stretched before them with no silly attempts to court the hat-hunk-of-the-month or the boot-scoot-boogie crowd. Despite the media's singling out of Krauss as country's new bluegrass solo diva, Union Station (with Krauss as simply a featured member of it) remains very much a group, and that's the real refreshing news here. It is that collective spirit that remains the reoccurring theme and the resounding musical point being made here, and it is the solid anchor that roots this album into place from beginning to end. Krauss' expert evocative way with a ballad is on full display here, with "Deeper Than Crying" and "It Doesn't Matter" featuring her on violas, adding a new voice to Union Station's sound. But the lead vocals are passed around among Krauss, mandolinist Adam Steffey, guitarist Dan Tyminski, and banjoist Ron Block, while Krauss' fiddle work in a backup capacity is an integral part of the sound as well. All in all, this is a totally un-gimmicky album that flies in the face of what usually happens when mainstream success comes calling. And, as a result of that commitment to quality and musical focus, one that makes you want to play it again when it's all over.