ALAN PARSONS PROJECT I Robot SEALED 1982 MFSL Mobile Fidelity Audiophile LP RARE
$
64
$ 64
Sold For
Aug 3, 2015
Sold Date
Jul 24, 2015
Start Date
$ 20
Start price
11
Number Of Bids
USA
Country Of Seller
eBay
Auctioned at
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Description
ALAN PARSONS PROJECT~I Robot~SEALED 1982 MFSL Mobile Fidelity Audiophile LP~RARE
Product Description
Alan Parsons Project, The ?? I RobotMobile Fidelity Sound Lab ?? MFSL 1-084
Vinyl, LP, Album, Limited Edition, Reissue, Remastered
RARE ORIGINAL MOBILE FIDELITY PRESSING FROM THE 1980s!
NEVER OPENED!
COVER UNDER THE LOOSE SHRINKWRAP APPEARS TO BE IN NEAR MINT CONDITION.
SINCE IT IS UNOPENED, VINYL IS ASSUMED TO BE MINT!
Alan Parsons delivered a detailed blueprint for his Project on their 1975 debut, Tales of Mystery and Imagination, but it was on its 1977 follow-up, I Robot, that the outfit reached its true potential. Borrowing not just its title but concept from Isaac Asimov's classic sci-fi Robot trilogy, this album explores many of the philosophies regarding artificial intelligence -- will it overtake man, what does it mean to be man, what responsibilities do mechanical beings have to their creators, and so on and so forth -- with enough knotty intelligence to make it a seminal text of late-'70s geeks, and while it is also true that appreciating I Robot does require a love of either sci-fi or art rock, it is also true that sci-fi art rock never came any better than this. Compare it to Jeff Wayne's War of the Worlds, released just a year after this and demonstrating some clear influence from Parsons: that flirts voraciously with camp, but this, for all of its pomp and circumstance, for all of its overblown arrangements, this is music that's played deadly serious. Even when the vocal choirs pile up at the end of "Breakdown" or when the Project delves into some tight, glossy white funk on "The Voice," complete with punctuations from robotic voices and whining slide guitars, there isn't much sense of fun, but there is a sense of mystery and a sense of drama that can be very absorbing if you're prepared to give yourself over to it. The most fascinating thing about the album is that the music is restless, shifting from mood to mood within the course of a song, but unlike some art pop there is attention paid to hooks -- most notably, of course, on the hit "I Wouldn't Want to Be Like You," a tense, paranoid neo-disco rocker that was the APP's breakthrough. It's also the closest thing to a concise pop song here -- other tunes have plenty of hooks, but they change their tempo and feel quickly, which is what makes this an art rock album instead of a pop album. And while that may not snare in listeners who love the hit (they should turn to Eye in the Sky instead, the Project's one true pop album), that sense of melody when married to the artistic restlessness and geeky sensibility makes for a unique, compelling album and the one record that truly captures mind and spirit of the Alan Parsons Project.
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PLEASE NOTE: We have set our shipping prices to cover costs on an average basis. You may be charged slightly more - or less - than the actual cost of postage; Priority postage varies according to destination, records and jackets vary in weight, all of which makes it impossible to set an exact "correct" price for all customers, especially internationally. We ship all LP's in new (unused) custom LP mailers. We pack records with filler pads, placing the disc in an inner sleeve outside the cover to prevent seam splitting in transit. Part of our postage fee covers the cost of the mailer and pads (which currently costs us up to a dollar per).
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In Your Ear has been selling music to the masses since 1982. We carry new and used LPs, CDs, DVDs, 45s, 12" singles, posters and who-knows-what-else! We have 2 physical locations in Massachusetts and 1 in Rhode Island:
957 Commonwealth Avenue, Boston, MA. 02215 72 Mt. Auburn Street, Cambridge, MA. 02138 462 Main Street, Warren, RI 02885
RECORD GRADING POLICY
MINT = like new or near new with only one or two small insignificant defects, a 9 or better on a 1-10 scale
EXCELLENT = Would be Near Mint, except for a couple of light hairlines or scuffs, which do not affect play
VG++ = still a very nice record with all or nearly all of its original gloss but may have a few more light, surface marks, hairlines, needle tracks or the like which should not materially affect play
VG+ = a nice, but used record that may have a series of light scuffs or scratches. It probably plays with a few pops, but has no serious problems.
VG = a well-used record that still should sound OK when played, but may have moderate surface noise, pops, etc.
VG- = a very well-worn record that plays through without skipping, but will do until a better copy comes along.
Good = not actually good at all but probably will play through but with much in the way of surface noise, pops, crackles, etc. Still, will have no cracks, chips or the like
Fair = you'?re getting this record just to own but not to play
Poor = the sky's the limit, generally I will discard a record this bad (and sell the cover, jacket or sleeve alone) unless the label holds some particular interest
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