1965 MONO PROMO BOB DYLAN BRINGING IT ALL BACK HOME +BLOOMFIELD LP

$

500

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• ORIGINAL 1965
• WHITE LABEL PROMOTIONAL
  
  1965 MONOPHONIC SONG MIXES LP ..|/\|...............................................|/\|..
• = BOB DYLAN =
• "Bringing It All Back Home"
  
• ..|/\|...............................................|/\|..
• USA - Columbia 360 sound - CL 2328 [MONO]
• 
  
• SCARCE 100% MACHINE STAMPED MATRIX:
  1965 MONO MIXES 360 SOUND COLUMBIA PRESSING

1.  One side acoustic, one side electric, two sides amazing. From the opening blast of "Subterranean Homesick Blues" to that last harmonica note on "It's All Over Now Baby Blue", this record screams "MASTERPIECE!!!"
2. 
   "Homesick Blues" marks one of Bob's best social-commentary songs. It's two-and-a-half minutes of pure, twisted, funny rock. Same with "Maggie's Farm", his hilarious blues tune about pretty much working with idiots. 
3. 
   Then there's his two funniest songs,"On the Road Again" and "Bob Dylan's 115th Dream".
   
4. Side Two is Dylan's Dark Side. First we have his masterful drug-song, "Mr. Tambourine Man". Next is the pitch-black "Gates of Eden", where he compares our world to a perfect one. He sings this like a prophet of doom and spits out among his best lines. Then there's "It's All Right Ma (I'm Only Bleeding)", another rapid, dark protest song where he lashes out against capitalism, communism, political corruption and pretty much everything else. Finally, the beauty of "It's All Over Now, Baby Blue". Or at least it seems beautiful on the outside. But listen to it seriously, and you'll find more dark lyrics.
   If you were to own one Dylan studio album, get Bringing It All Back Home.
   
   The album opens with "Subterranean Homesick Blues," a romp through the difficulties and absurdities of anti-establishment politics that was heavily inspired by Chuck Berry's "Too Much Monkey Business."
   
   "She Belongs to Me" centers on bohemian virtues of an artistic lover whose creativity must be constantly fed ("Bow down to her on Sunday / Salute her when her birthday comes. / For Halloween buy her a trumpet / And for Christmas, give her a drum.")
   
   "Maggie's Farm" is Dylan's declaration of independence from the protest folk movement. Punning on Silas McGee's Farm, where he had performed "Only a Pawn in Their Game" at a civil rights protest in 1963 (featured in the film Dont Look Back), Maggie's Farm recasts Dylan as the pawn and the folk music scene as the oppressor. Rejecting the expectations of that scene as he turns towards loud rock'n'roll, self-exploration, and surrealism, Dylan intones: "They say sing while you slave / I just get bored."
   
   "Love Minus Zero/No Limit" is a low-key love song, described as a "hallucinatory allegiance, a poetic turn that exposes the paradoxes of love ('She knows there's no success like failure / And that failure's no success at all')...[it] points toward the dual vulnerabilities that steer 'Just Like A Woman.' In both cases, a woman's susceptibility is linked to the singer's defenseless infatuation."
   
   "Outlaw Blues" explores Dylan's desire to leave behind the pieties of political folk and explore a bohemian, "outlaw" lifestyle. Straining at his identity as a protest singer, Dylan knows he "might look like Robert Ford" (who assassinated Jesse James), but he feels "just like a Jesse James."
   
   "On the Road Again" catalogs the absurd affectations and degenerate living conditions of bohemia. The song concludes, "Then you ask why I don't live here / Honey, how come you don't move?".
   
   "Bob Dylan's 115th Dream" narrates a surreal experience involving the discovery of America, the cast of Moby Dick and numerous bizarre encounters. It is the longest song in the electric section of the album, starting out as an acoustic ballad before being interrupted by laughter, and then starting back up again with an electric blues rhythm. The music is so similar in places to Another Side of Bob Dylan's "Motorpsycho Nitemare" as to be indistinguishable from it but for the electric instrumentation. 
   One of Dylan's most celebrated and ambitious compositions, "It's Alright Ma (I'm Only Bleeding)" is arguably one of Dylan's finest songs. It opened up a whole new genre of finger-pointing song, not just for Dylan but for the entire panoply of pop. A fair number of Dylan's most famous lyrics can be found in this song: "He not busy being born is busy dying"; "It's easy to see without looking too far / That not much is really sacred"; "Even the president of the United States / Sometimes must have to stand naked"; "Money doesn't talk, it swears"; "If my thought-dreams could be seen / They'd probably put my head in a guillotine." In the song Dylan is again giving his audience a road map to decode his confounding shift away from politics. The album closes with "It's All Over Now, Baby Blue", described as one of those saddened good-bye songs a lover sings when the separation happens long after the relationship is really over, when lovers know each other too well to bother hiding the truth from each other any longer...What shines through "Baby Blue" is a sadness that blots out past fondness, and a frustration at articulating that sadness at the expense of the leftover affection it springs from. Van Morrison and his band, Them, released their own version of "It's All Over Now, Baby Blue" in 1966; a dramatic re-arrangement featuring a repeating, low-key Mellotron pattern, it's often hailed as one of the best Dylan covers ever recorded. Another underground version was famously done by Roky Erikson's 13th Floor Elevators on their 1967 album "Easter Everyhere" .
   
5. <><><><><><><><><><><><><><><><><><> CONDITION:
6. 
   
7. The cover: rated: VG++ solid all over, bright original colors with exception of minor past signs of handling. Tiny lite clear tape residue at bottom right (real minor!). Back cover: upper top right even smaller price sticker removal stain (minor!) and tiny "Apr 10 1965" and tiny radio station 'call' letters stamp. Overall very minor handling signs (very minor!) Still strong collection worthy score with RARE custom designed "Subterranean Homesick Blues" sticker on top right and (promotional copy only) songs timing strip at bottom front cover. Has no faded colors, no split seams, no writing, no delete marks ...

1. The vinyl: Rated: near M- plays with clean audio both sides are shiny glossy smooth and both Columbia white MONO Promo  2-eye labels are clean