TOPS UNPEELED Banana VELVET UNDERGROUND Nico + REED Warhol 1967 Psych SATANISTS
  $   1,726

 


$ 1726 Sold For
Aug 13, 2023 Sold Date
Aug 6, 2023 Start Date
45   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

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  • Dionysians / Apollonians; avant-garde chamber group / rock and roll dance band; violent nihilists / compassionate humanists; white noise tornado / neo-folk tonic; satanists / moralists

        1967 STEREO Issue

            BEAUTIFUL 1967 UNPEELED BANANA GATEFOLD COVER ..|/\|...............................................|/\|..
Andy Warhol

   The Velvet Underground

& Nico
  • ..|/\|...............................................|/\|..
  • USA - VERVE - V6-5008 - STEREO


Sought After UN-PEELED BANANA GATEFOLD COVER

    INVESTMENT COLLECTIBLE ....

    FINAL COLLECTION COPY


    Original = "PERFECT" (no tears! no wrinkles!) UN-PEELED BANANA COVER 1967 printing (no TORSO on back cover)

     ATTENTION: This copy was recently unearthed with a FULL banana skin intact, a banana skin with NO splits, no tears, no ripples... that uncommonly nice! (SEE FULL DETAILS BELOW) remaining a unique observation TOP COPY COVER of the famous WARHOL art design for the 1967 Velvet Underground artifact

    Includes Verve Records printed inner sleeve

    <> <> <> <> <> <> <> <> <> <> <> <> <> <> <> <> <> <> <> <> <> <> <> <> <> <>

    Recorded in '66 during Andy Warhol's multimedia event tour, The Velvet Underground & Nico would gain notoriety for its experimentalism performance sensibilities, as well as its focus on controversial subject matter expressed in many of their songs.


    Theirs was the dim world of drugs and sexual perversion, of heroin addiction and the desperate loss of hope that goes with it. Their concern was with death and violence... Oozing evil and lubricity, they made every other group look like kid stuff, and they made a lot of people nervous... There is no word for their sound but sometimes it seems as if a presence has taken it over, perhaps even His Satanic Majesty himself. You can easily imagine someone performing black masses with the Velvet Underground’s albums. Not for the kiddies.


    Their world view was dark and nihilistic at a time when everyone else was singing about peace and flowers... The Doors (whose first album was a hit when Velvet Underground & Nico was released) had a darker vision than The Velvet Underground! Even Jefferson Airplane, whose Surrealistic Pillow LP defined for the time capsules the romance of the Hippie Moment, didn’t turn a blind eye to the dark side of the counterculture-- and the Airplane and The Doors were the most popular bands in America during the Velvets’ time.


    The Velvet Underground & Nico (the latter being a Warhol-recommended "chanteuse" who departed after the album was released to pursue an even more quixotic solo career) does function as a kind of "map of their music" (to paraphrase The Doors’ description of their own debut LP). The overall impression created is dark, noisy, more than a little paranoid and seemingly amoral (as opposed to immoral)-- "Heroin" makes a point of being neither for nor against, but simply about; similarly, no specific judgment is passed upon the characters in songs like "I’m Waiting For The Man" and "Venus In Furs." The album concludes with "The Black Angel’s Death Song" and "European Son," likably self-indulgent exercises in sonic (and verbal) envelope-pushing. But the ballads Lou wrote for Nico to sing (including the album opener "Sunday Morning" ) provide a disarmingly sweet balance, and even a specific reassurance: "When you think the night has seen your mind, / That inside you’re twisted and unkind, / Let me stand to show that you are blind-- / Please put down your hands, / ‘Cause I see you-- / I’ll be your mirror..."

    Side one
    "Sunday Morning" (Reed, Cale) – 2:54
    "I'm Waiting for the Man" – 4:39
    "Femme Fatale" – 2:38
    "Venus in Furs" – 5:12
    "Run Run Run" – 4:22
    "All Tomorrow's Parties" – 6:00

    Side two
    "Heroin" – 7:12
    "There She Goes Again" – 2:41
    "I'll Be Your Mirror" – 2:14
    "The Black Angel's Death Song" (Reed, Cale) – 3:11
    "European Son" (Reed, Cale, Morrison, Tucker) – 7:46
CONDITION:
The cover: rated: M- astounding (no wear) Thick highly wear-prone GATEFOLD with fully UNPEELED Banana. The back cover is almost IMPOSSIBLE to find without wear. This is a non-torso copy yet the 1967 pressing is near museum quality!!!  There is NO wear on front & back or inside cover (usually with age - not here) there are no delete marks, no split seams, no bends, and no writing  ...and colors are vividly bright!  You can't HOPE to find a better copy !

The vinyl: M-  smooth & clean ... looks & plays awesome! So hard to find in any condition = don't miss this copy as the one you've been awaiting for! The only slight imperfection is royal-blue VERVE side one label has a bit of silver off-color in center, see photos - look close, hardly anything ... otherwise, as noted above, a beauty all around = LOOK !    

Andy Warhol

THE VELVET UNDERGROUND

& Nico


A cool addition to anyone's music library! 
SEE: SELLERS OTHER ITEMS (((similar grooves for "head" people...)))

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All imperfections are noted both cover & record
  GRADING SCALE: M, M-, EX, VG++,VG+, VG, VG- M    Completely clean, no marks, plays clean
M-   Carefully used, looks clean, plays clean, shiny gloss, plays clean
EX   Faint scuff or superficial mark, near M-, high gloss, plays clean VG++ Glossy with minimal scuffing or light mark playing very nice, enjoyable
VG+ a bit more scuff or marks still plays well with very minimal surface at worse VG   more marks/scratches only minor, nothing deep, no loud clicks or pops         this grade is abused by many, VG here does not mean "trashed" VG-  surface noise present, will not have skips or jumps     ALL PAYMENTS SHOULD BE MADE WITHIN 5 DAYS Of AUCTIONS END   BIDDERS PLEASE = Do Not Bid If You Are Not Serious About  Following Through The Transaction!   ALL ITEMS GUARANTEED FOR WINNING BID - LESS SHIPPING!


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