MILES DAVIS KIND OF BLUE ULTRA-RARE ORIG'59 "SIX EYE" STEREO LP IN SHRINK SUPERB
  $   676

 


$ 676 Sold For
Apr 23, 2017 Sold Date
Apr 16, 2017 Start Date
$   25 Start price
20   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

WE CURRENTLY HAVE  MORE THAN 300  LISTED ITEMS

 

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·       MILES DAVIS with BILL EVANS, JOHN COLTRANE, WYNTON KELLY, CANNONBALL ADDERLEY, PAUL CHAMBERS AND JAMES COBB - KIND OF BLUE - ULTRA-RARE  ORIGINAL 1959 COLUMBIA RECORDS STEREO LP CS-8163

 

·       ORIGINAL U.S. PRESSING

 

·       ORIGINAL “SIX EYE” COLUMBIA RED AND BLACK  STEREO LABEL WITHOUT "CBS" BANNER ON TOP OF THE LABEL

 

·       EXTREMELY RARE ORIGINAL STEREO PRESSING, MANY TIMES RARER THAN MONO

 

·       ORIGINAL FIRST COVER WITH CANNONBALL ADDERLEY’S NAME MISSPELLED AS “ADDERLY” ON THE FRONT PANEL

 

·       DEEP GROOVE PRESSING  (ON ONE SIDE ONLY)

 

·       THIS IS THE ORIGINAL RECORDING WITH UNCORRECTED SPEED (PITCH SLIGHTLY OFF)

 

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

 

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

 

·       COVER IS STILL IN ITS ORIGINAL SHRINK (CELLOPHANE) WRAP

 

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1AJ/-1AJ'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

 

·       MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

 

·       CLEAN, WEAR-FREE LABELS

 

·       THICK, HEAVY VINYL PRESSING

 

(PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

 

 

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Kind of Blue isn't merely an artistic highlight for Miles Davis, it's an album that towers above its peers, a record generally considered as the definitive jazz album, a universally acknowledged standard of excellence. Why does Kind of Blue posses such a mystique? Perhaps because this music never flaunts its genius. It lures listeners in with the slow, luxurious bassline and gentle piano chords of "So What." From that moment on, the record never really changes pace -- each tune has a similar relaxed feel, as the music flows easily. Yet Kind of Blue is more than easy listening. It's the pinnacle of modal jazz -- tonality and solos build from the overall key, not chord changes, giving the music a subtly shifting quality. All of this doesn't quite explain why seasoned jazz fans return to this record even after they've memorized every nuance. They return because this is an exceptional band -- Miles, Coltrane, Bill Evans, Cannonball Adderley, Paul Chambers, Jimmy Cobb -- one of the greatest in history, playing at the peak of its power. As Evans said in the original liner notes for the record, the band did not play through any of these pieces prior to recording. Davis laid out the themes before the tape rolled, and then the band improvised. The end results were wondrous and still crackle with vitality. Kind of Blue works on many different levels. It can be played as background music, yet it amply rewards close listening. It is advanced music that is extraordinarily enjoyable. It may be a stretch to say that if you don't like Kind of Blue, you don't like jazz -- but it's hard to imagine it as anything other than a cornerstone of any jazz collection.

 

 (EXCERPT FROM AN ONLINE REVIEW BY STEPHEN THOMAS ERLEWINE, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

 

What we have here is Jazz equivalent of the Grand Canyon. The album which, for the next four decades, pretty much defined everything that's spontaneous, improvisational , modal and otherwise genuine in music. This music truly has no equivalents, peers or points of reference in modern music, whether before or after its conception. Word has it that Duane Allman played nothing by "Kind of Blue" for many days and months on end, and the list of Jazz musicians profoundly affected by its spontaneity, mood, gentle blue tinge and supreme musical competence (to put it mildly) goes on and on and on. Plus, how many times do you get to hear the interplay between Miles Davis, John Coltrane, Bill Evans and Cannonball Adderley - all assembled in one place?. This is not music, this is pure aural ambrosia.

 

The Jazz’ greatest album was beset from its inception by the mastering problems, and experts claim that it is off by a fraction of the note, due to the fact that it was mastered at the wrong speed (a moot point). The original, first  analog pressings on six-eyes Columbia label are becoming extremely rare and extraordinarily coveted by practically everyone - jazz and non-jazz collectors alike. For any self-respecting Jazz aficionado, this is the only possible way to hear the greatest jazz album ever.

 

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

 

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·       CONDITION:

 

·       RECORD

 

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

 

(a)          WE GRADE THE VINYL AS NEAR MINT. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

 

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

 

(c)           Stereo  pressing of this title is much rarer, and by far more preferable to its mono  counterpart. The mix is more graphic, the sound resolution more precise, and the channel separation (which does not exist on mono version) adds a whole new dimension to the music. Also, the stereo mixes are (by definition) somewhat different than on the mono version. We estimate that mono copies of this album outnumber stereo copies  by a ratio of at least 5:1.

 

(d)          The record is STILL in its original inner, perforated plastic baggy, which has - apparently with success - shielded the record from the harmful impact of elements over many years!

 

(e)           The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).

 

(f)            Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

 

 

·       COVER

 

COVER IS STRONG NEAR MINT,  STILL IN ITS ORIGINAL ►SHRINK WRAP   (A SMALL PIECE OF SHRINK WRAP IS MISSING)

 

The following flaws or imperfections are noted on the cover:

 

-         Cover shows some light yellowing on back side, apparently from aging.

 

-         Cover has a small, rectangular, sticker residue (small yellowish discoloration from the removed price sticker)   (nothing significant)

 

-         Cover has a few tiny wrinkles along the spine (nothing significant)

 

NO OTHER IMPERFECTIONS ON THE COVER:

 

-        No split seams

-        No ring wear

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No writing

-        No stamps

-        No tearing: no chips, dents or nicks on the seams

-        No peel-off marks

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

 

 

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POSTAGE & SHIPPING:

 

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

 

INTERNATIONAL POSTAGE rates vary from country to country. For SPECIFIC international and domestic postage rates click here. While you can be rest assured that ►our packaging is careful, sturdy and impact-proof, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.

 

 

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FOR OTHER IMPORTANT INFORMATION, CLICK ON THE LINKS BELOW:

 

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OUR REFUND POLICY :

 

WE OFFER UNCONDITIONAL MONEY-BACK GUARANTEE WITHIN 30 DAYS FROM THE RECEIPT OF THE MERCHANDISE, NO QUESTIONS ASKED (THE BUYER PAYS FOR THE RETURN POSTAGE); Still sealed items MUST be returned sealed in order to be eligible for a refund Some restrictions apply. Please read our complete refund policy before placing a bid. Click here  for the full text of our policy

 

 

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