LOS ANGELES 1979-SOUND SCULPTURE INSTRUMENT BUILDING & ACOUSTICALLY TUNED SPACES
$
200
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Description
****************** "SOUND - AN EXHIBITION OF SOUND SCULPTURE INSTRUMENT BUILDING AND ACOUSTICALLY TUNED SPACES" LP - 1979.
Record Label: Los Angeles Institute of Contemporary Art.
Songs/Tracks: 26.
This is a very rare performance art vinyl record album from 1979. It features an exhibition of sound sculpture, instrument building and acoustically tuned spaces that happened at the Los Angeles Institute of Contemporary Art, July 14-August 31, 1979, and at P.S.I., New York, September 30-November 18, 1979. It was curated by Robert Wilhite and Robert Smith. The album was edited and produced by Bob Wilhite. Lots of weird stuff.
Here are the artists and tracks on the record:
A1 –Jim Hobart: Maraca Instrument 1:47
A2 –Bob Bates: Force Field 1:58
A3 –Richard Dunlap: The Rubber Band 1:58
A4 –Joan La Barbara: Q-uatre Petites Betes 1:50
A5 –Ron George: Improvisation 1:54
A6 –Ivor Darreg: Composition For Turkish-Fretless Banjo 2:08
A7 –Bob Wilhite: Two Spinners 2:12
A8 –Jim Gordon: Piece For Synthesizers, Computers And Other Instruments 1:43
A9 –Paul De Marinis: Pygmy Gamelan Goes To Art 1:59
A10 –Jim Pomeroy: Back On The Ladder, The Beat Goes On 2:09
A11 –Yoshi Wada: An Adapted Bag With Sympathy III 2:02
A12 –Christina Kubisch: Tempo Liquido 2:02
A13 –Gerald Oshita: Water Preludes 2:05
B1 –Tom Jenkins: One Man Band 1:59
B2 –Bill Fontana: Kirribilli Wharf 2:05
B3 –Doug Hollis: Aeolian Harp 2:09
B4 –Tom Marioni: Drop Brushing 1:01
B5 –Terry Fox: Labyrinth Scored For II Cats 1:56
B6 –Tom Recchion: Solos 1:50
B7 –Alex Bernstein: L.A. Proper 1:53
B8 –Karen Wolff / William Kingsbury: Double Crossing 1:51
B9 –Bruce Fier: Score For Eleven Infinite Rainbows 2:02
B10 –Susan Rawcliffe: Trix Ocarinas 2:02
B11 –Will Parsons / Grace Bell: Road Runner / L.A. 2:07
B12 –Dennis Evans: Location #2 0:53
B13 –John Duncan / Michael leDonne-Bhennet: Koko Weef 6038 1:59Condition is VG+/VG+. Vinyl has beautiful high gloss! Jacket displays nicely. No seam splits, no writing, no cut-out marks.
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