JOHN COLTRANE wPAUL CHAMBERS GIANT STEPS MEGA-RARE ORIG'59 ATLANTIC STEREO LP NM

$

326

WE CURRENTLY HAVE  MORE THAN 1,000  LISTED ITEMS

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·       JOHN COLTRANE with TOMMY FLANNAGAN, PAUL CHAMBERS, ART TAYLOR, WYNTON KELLY and JIMMY COBB – GIANT STEPS – INCREDIBLY RARE ORIGINAL 1959 ATLANTIC RECORDS STEREO LP SD-1311

·       ORIGINAL U.S. PRESSING

·       ORIGINAL WHITE, BLUE AND GREEN ATLANTIC STEREO “BULL’S-EYE” LABEL (ALSO KNOWN AS THE “PINWHEEL” LABEL

·        (PLEASE NOTE: ALTHOUGH ALL-GREEN ATLANTIC STEREO LABELS OF THIS TITLE SHOULD EXIST (AS THEY WERE BEING PRODUCED WHEN THIS TITLE CAME OUT), THEY ACTUALLY WERE NEVER PRODUCED,  MAKING THIS “BULL’S-EYE” LABEL THE TRUE FIRST STEREO PRESSING OF THE ‘GIANT STEPS’

·       ONE OF THE GREATEST,  RAREST AND MOST COVETED JAZZ PRESSINGS IN EXISTENCE; IN FACT, PROBABLY ONE OF THREE GREATEST JAZZ RECORDINGS OF ALL TIME!

·       DEEP GROOVE PRESSING

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       ORIGINAL LAMINATED COVER

·       ORIGINAL TOM DOWD RECORDING (TOM DOWD WAS FOR ATLANTIC WHAT RUDY VAN GELDER WAS FOR BLUE NOTE)

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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History will undoubtedly enshrine this disc as a watershed the likes of which may never truly be appreciated. Giant Steps bore the double-edged sword of furthering the cause of the music as well as delivering it to an increasingly mainstream audience. Although this was John Coltrane's debut for Atlantic, he was concurrently performing and recording with Miles Davis. Within the space of less than three weeks, Coltrane would complete his work with Davis and company on another genre-defining disc, Kind of Blue, before commencing his efforts on this one. Coltrane (tenor sax) is flanked by essentially two different trios. Recording commenced in early May of 1959 with a pair of sessions that featured Tommy Flanagan (piano) and Art Taylor (drums), as well as Paul Chambers — who was the only band member other than Coltrane to have performed on every date. When recording resumed in December of that year, Wynton Kelly (piano) and Jimmy Cobb (drums) were instated — replicating the lineup featured on Kind of Blue, sans Miles Davis of course. At the heart of these recordings, however, is the laser-beam focus of Coltrane's tenor solos. All seven pieces issued on the original Giant Steps are likewise Coltrane compositions. He was, in essence, beginning to rewrite the jazz canon with material that would be centered on solos — the 180-degree antithesis of the art form up to that point. These arrangements would create a place for the solo to become infinitely more compelling. This would culminate in a frenetic performance style that noted jazz journalist Ira Gitler accurately dubbed "sheets of sound." Coltrane's polytonal torrents extricate the amicable and otherwise cordial solos that had begun decaying the very exigency of the genre — turning it into the equivalent of easy listening. He wastes no time as the disc's title track immediately indicates a progression from which there would be no looking back. Line upon line of highly cerebral improvisation snake between the melody and solos, practically fusing the two. The resolute intensity of "Countdown" does more to modernize jazz in 141 seconds than many artists do in their entire careers. Tellingly, the contrasting and ultimately pastoral "Naima" was the last tune to be recorded, and is the only track on the original long-player to feature the Kind of Blue quartet. What is lost in tempo is more than recouped in intrinsic melodic beauty.

(EXCERPT FROM AN ONLINE REVIEW BY  LINDSAY PLANER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ► click here

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·       CONDITION:

·       RECORD

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial  and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).

(c)           The record comes in the original stock inner sleeve.

(d)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(e)           The record is STILL in its original inner, perforated plastic baggy, which has - apparently with success - shielded the record from the harmful impact of elements over many years!

(f)            Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-        THIS ALBUM COMES FROM THE ESTATE OF JON XAVIER CORBIN, A MAJOR AND HIGHLY INFLUENTIAL BALTIMORE-BASED JAZZ COLLECTOR FROM THE TURN OF THE '50s/'60s DECADE AND HAS A NUMBER OF HIS EX-LIBRIS AND OTHER MARKINGS:

-         Cover has two ex-libris stamps on the back panel

-        Two filing codes stamped on the back panel

-         Cover has a tape residue  (VISIBLE ON BACK SIDE ONLY)  in all four corners (yellowish discoloration from the removed piece of old and aged scotch tape); PLEASE NOTE: the cover does NOT have split seams: the corners were  taped merely as a precautionary measure.

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-         Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 2.

-         Cover shows JUST A HINT of yellowing on both sides, apparently from aging.

-         Cover has a minor 'bump' (cut/tear) on the opening side (nothing significant) (less than ¼ inch in length on the front panel, 1/2 inch on the back panel)

-         Cover has a few tiny wrinkles along the spine  (nothing significant)

-         Cover has one corner slightly dinged (nothing significant)

-         Cover has a small quality control (inspection) stamp on the back panel   (almost completely faded and barely visible)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No writing

-        No peel-off marks

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

INTERNATIONAL POSTAGE rates vary from country to country. For SPECIFIC international and domestic postage rates ►click here. While you can be rest assured that ►our packaging is careful, sturdy and impact-proof, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.

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OUR REFUND POLICY :

WE OFFER UNCONDITIONAL MONEY-BACK GUARANTEE WITHIN 7 DAYS FROM THE RECEIPT OF THE MERCHANDISE, NO QUESTIONS ASKED (THE BUYER PAYS FOR THE RETURN POSTAGE); Still sealed items MUST be returned sealed in order to be eligible for a refund Some restrictions apply. Please read our complete refund policy before placing a bid. ►Click here  for the full text of our policy

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