Iron Cross 7 hated and proud dischord minor threat punk oi skinhead glory

Iron Cross "hated and proud" 7 Skinflint records # 2 1983, First Press of the band's second release, Iron Cross the 1st skinhead band out of DC. The Sleeve has a little creasing / wear from years of storage (see pictures for details) the vinyl is near mint!

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Good service appreciates good feedback. Please don't forget to leave it after transaction for me! I will return the favor. tee till death teetilldeath vinyl noize Iron Cross is a hardcore/Oi! band from Baltimore, Maryland and Washington D.C.. They play a rough form of streetpunk, and is the first band in the United States to adopt the skinhead look and the Oi! musical style.[1] Some early members were original to the DC Skinheads (the first Skinhead scene in North America) and had close ties to the Washington, DC hardcore punk subculture, due to its relationship with other hardcore bands, with Ian Mackaye, and with Dischord Records.[2] Singer Sab Grey was one of the many roommates in the Dischord House in Arlington, VA. The band's name — and with most of its members being Skinheads — led to accusations of fascism, which Grey and others in the band and the original DC Skins have always denied.[2] Grey stated in the 1st Iron Cross press kit in 1982, "...oh, and we're not Nazis!"[citation needed] Contents [hide] 1 Career 1.1 Aftermath and new lineup 2 "Crucified" 3 Discography 3.1 EPs 3.2 Compilations 4 References [edit] Career Iron Cross formed in Washington, DC when Dante Ferrando met Sab Grey. Ferrando was previously in the band Broken Cross with Mark Haggerty while in school. When Grey and Ferrando decided to start a new band, Grey suggested the name Iron Cross. The first lineup consisted of Grey on lead vocals, Haggerty on guitar, Ferrando on drums and John Falls on bass guitar. This lineup lasted a very short time with Falls leaving after Iron Cross' early show at the American University. After Falls' departure the band went through two more bassists before settling on Wendell Blow, the former bassist for the DC hardcore punk band State of Alert, or as it is known SOA.[1] The only non-skinhead in the band was Ferrando, who has usually maintained a spiky hairstyle.[3] The band's fourth lineup lasted until just after the recording of their first EP Skinhead Glory, and just prior to its release. That EP features the signature song "Crucified," which was later covered by Agnostic Front, The Business, H8Machine, Subculture Squad, and 25 ta Life. The song, "You're a Rebel" from the band's second EP Hated and Proud was covered by the Boston band Dropkick Murphys. Songs associated with Hated and Proud were first played at the now famous 9:30 Club, formerly at the corner of 9th and F Streets in DC, as part of a revamping of the band's former live set which members felt was stagnant. This set included both old and new material with a few covers from English Oi! bands. After Blow left the band he was replaced by John Dunn three days prior to Iron Cross' two set show with the Angelic Upstarts where the band almost exchanged blows with The Upstarts. Dunn had been an original member of the DC Skins and was close friends with the band's members. He still remains so. Dunn left the band just before the release of the Hated and Proud EP. He was replaced by Paul Cleary, who was a founding member of the DC bands Trenchmouth and Black Market Baby. Iron Cross was introduced to the world beyond the eastern United States with their three songs on the Dischord compilation Flex Your Head.[3] [edit] Aftermath and new lineup After further lineup changes that left Grey as the only original member of Iron Cross, the band broke up in 1985. Ferrando went on to form the band Gray Matter with Haggerty. Ferrando also played in the band Ignition. Haggerty went on to play with bands 3 and Severin. Blow, Dunn, and Cleary went different ways, with Blow and Dunn ending up in Los Angeles in the late 1980s. Dunn went on to play in multiple line-ups that were part of the new so called "Alternative" scene of the late '80s and early '90s in LA. Grey moved to England, where he married and had children. Since then, Iron Cross has re-released their EPs and previously-unreleased material in the form of the full-length CD Live For Now. Grey, who continued performing and expanding his musical style, moved back to Baltimore and as of 2006, was playing with The Royal Americans (a rockabilly-style band), was performing solo acoustic shows, and occasionally performed with a new lineup of Iron Cross, which completed a national tour in 2003. A split release with British oi! band Combat 84 was planned for release on GMM Records in 2002,[4] although this recording never materialized. The mini album, Two Piece and a Biscuit, featuring four songs from Iron Cross and three from The Royal Americans was released in 2007 on 13th State Records. Ferrando now owns the DC club, The Black Cat. Haggerty lives in the Bay Area and continues to perform. Dunn left LA for Seattle in the mid '90s and is now performing with a Pub Rock style band the Chiswick Kommandos. Blow lives in Austin Texas, with Cleary still being located in the DC area. The 2009 lineup is: Sab Grey - Vocals, Scotty Powers - Drums, Dimitri Medevev (Now deceased as of 9/19/2012.) - Bass, Mark Linskey - Guitar, Shadwick Wilde - Guitar. [edit] "Crucified" In the mid 1980s, New York hardcore band Agnostic Front began covering "Crucified", a song from Iron Cross' EP "Skinhead Glory". Agnostic Front included studio versions of the song on their Liberty And Justice For... and Something's Gotta Give albums. "Crucified" has become a staple cover song for many hardcore and Oi! bands. Grey's lyrics refer to being ridiculed for being different, being blamed for society's ills, accused of violence, and intolerance because of the actions of others. The metaphor of being crucified resonated with Leftist/Communist and apolitical skinheads who were sick of being labelled as neo-Nazis because of right-wing extremist who stole the skinhead fashion. White-Power/Fascists who called themselves skinheads also identified with the song due to persecution they received for their social and racial views. Crucified has become an anthem for both factions of skinheads worldwide. Live audiences have taken to adding a chant of "skinhead army!" to the chorus, a line not included in the band's original recording. [edit] Discography [edit] EPs YearTitle 1982Skinhead Glory Released: 1982 Label: Dischord Records/Skinflint Records 1983Hated and Proud Released: 1983 Label: Skinflint Records 2009Koi Records Split Vol. 5 (split w/ Keyside Strike) Released: 2009 Label: Koi Records [edit] Compilations YearTitle 2001Live for Now Released: May 8, 2001 Label: GMM Records 2007Two Piece and a Biscuit (split w/ The Royal Americans) Released: 2007 Label: 13th State Records The 4-Skins Anti-Heros Angelic Upstarts Anti Pasti The Blaggers / Blaggers ITA (early) Blitz Böhse Onkelz (early) Blanks 77 The Blood The Burial The Business The Last Resort Boot Boys Lonsdale RAC Cobra Cock Sparrer Cockney Rejects Combat 84 Condemned 84 The Discocks Dropkick Murphys (early) The Exploited (early) Flatfoot 56 The GC5 Garotos Podres Lower Class Brats Oi Polloi (early) Opció K-95 The Oppressed Oxymoron Peter and the Test Tube Babies The Press SA (Samurai Attack) Sham 69 Slaughter and the Dogs Sledgeback Street Dogs The Templars Those Unknown Toy Dolls U.S. Chaos The Wretched Ones Oi! is a subgenre of punk rock that originated in the United Kingdom in the late 1970s.[1] The music and its associated subculture had the goal of bringing together punks, skinheads and other working-class youths (sometimes called herberts). The Oi! movement was partly a response to the perception that many participants in the early punk rock scene were, in the words of The Business guitarist Steve Kent, “trendy university people using long words, trying to be artistic...and losing touch”.[2] André Schlesinger, singer of The Press, said, “Oi shares many similarities with folk music, besides its often simple musical structure; quaint in some respects and crude in others, not to mention brutally honest, it usually tells a story based in truth.”[3] Piss Fuck Off Skrewdriver Brutal Attack !!! Crucified Iron Boots Iron Cross Working Class Pride Contents [hide] 1 History 2 Association with far extremist politics 3 See also 4 References 5 External links [edit] History Oi! became a recognized genre in the latter part of the 1970s, emerging after the perceived commercialization of punk rock, and before the soon-to-dominate hardcore punk sound. It fused the sounds of early punk bands such as the Sex Pistols, the Ramones, The Clash, and The Jam with influences from 1960s British rock bands such as The Rolling Stones, the Small Faces, and The Who; football chants; pub rock bands such as Dr. Feelgood, Eddie and the Hot Rods, and The 101ers; and glam rock bands such as Slade and Sweet. First generation Oi! bands such as Sham 69 and Cock Sparrer were around for years before the word Oi! was used retrospectively to describe their style of music. In 1980, writing in Sounds magazine, rock journalist Garry Bushell labelled the movement Oi!, taking the name from the garbled "Oi!" that Stinky Turner of Cockney Rejects used to introduce the band's songs.[4] The word is an old Cockney expression, meaning hey or hello. In addition to Cockney Rejects, other bands to be explicitly labeled Oi! in the early days of the genre included Angelic Upstarts, The 4-Skins, The Business, Blitz, The Blood, and Combat 84.[5] The prevalent ideology of the original Oi! movement was a rough brand of working-class rebellion. Lyrical topics included unemployment, workers' rights, harassment by police and other authorities, and oppression by the government.[2] Oi! songs also covered less-political topics such as street violence, football, sex, and alcohol. Although Oi! has come to be considered mainly a skinhead-oriented genre, the first Oi! bands were composed mostly of punk rockers and people who fit neither the skinhead nor punk label. After the Oi! movement lost momentum in the United Kingdom, Oi! scenes formed in continental Europe, North America, and Asias. Soon, especially in the United States, the Oi! phenomenon mirrored the hardcore punk scene of the early 1980s, with Oi!-influenced bands such as Agnostic Front, Iron Cross, Anti Heros. Ultimately the Godfathers of the American movement U.S. Chaos, whos family roots pass through almost every known element of punk in the East, who hailed from the east coast arsenal of the United States, New Jersey. Formed by members of The Radicals and The Front Line, who would later cause the Hardcore punk split to form Cause For Alarm and Agnostic Front. New Jersey USA would later be known for it's contigiously aggressive influence thus seeding the Oi! movement with dozens of groups, that has lasted for nearly as long as rock itself. Later American punk bands such as Rancid and Dropkick Murphys have credited Oi! as a source of inspiration.[6] In the mid-1990s, there was a revival of interest in Oi! music in the UK, leading to older Oi! bands receiving more recognition. In the 2000s, many of the original UK Oi! bands reunited to perform and/or record. The song T.N.T. by hard rock band AC/DC features the interjection at the start and in various parts throughout the song. [edit] Association with far extremist politics Some fans of Oi! were involved in white nationalist organisations such as the National Front (NF) and the British Movement (BM), leading some critics to identify the Oi! scene in general as racist.[2] However, none of the bands associated with the original Oi! scene promoted racism in their lyrics. Some Oi! bands, such as the Angelic Upstarts, The Burial, and The Oppressed were associated with left wing politics and anti-racism.[7] The white power skinhead movement had developed its own music genre called Rock Against Communism, which had musical similarities to Oi!, but was not connected to the Oi! scene. Timothy S. Brown identifies a deeper connection: Oi!, he writes "played an important symbolic role in the politicization of the skinhead subculture. By providing, for the first time, a musical focus for skinhead identity that was 'white'—that is, that had nothing to do with the West Indian immigrant presence and little obvious connection with black musical roots—Oi! provided a musical focus for new visions of skinhead identity [and] a point of entry for a new brand of right-wing rock music."[8] The mainstream media especially associated Oi! with far right politics following a concert by The Business, The 4-Skins, and The Last Resort on 4 July 1981 at the Hambrough Tavern in Southall. Local Asian youths threw Molotov cocktails and other objects, mistakenly believing that the concert was a neo-Nazi event, partly because some audience members had written National Front slogans around the area.[2][9] Although some of the skinheads were NF or BM supporters, among the 500 or so concert-goers were also left-wing skinheads, black skinheads, punk rockers, rockabillies, and non-affiliated youths.[10] Five hours of rioting left 120 people injured—including 60 police officers—and the tavern burnt down.[9][11] In the aftermath, many Oi! bands condemned racism and fascism. These denials, however, were met with cynicism from some quarters because of the Strength Thru Oi! compilation album, released in May 1981. Not only was its title a play on a Nazi slogan—"Strength Through Joy"—but the cover featured Nicky Crane, a skinhead BM activist who was serving a four-year sentence for racist violence. Critic Garry Bushell, who was responsible for compiling the album, insists its title was a pun on The Skids' album Strength Through Joy, and that he had been unaware of the Nazi connotations.[7] He also denied knowing the identity of the skinhead on the album's cover until it was exposed by the Daily Mail two months later.[7] Bushell, a socialist at the time, noted the irony of being branded a far right activist by a newspaper that "had once supported Oswald Mosley's Blackshirts, Mussolini's invasion of Abyssinia, and appeasement with Hitler right up to the outbreak of World War Two."[7] Another subsequent source for the popular association between Oi! and a racist or far-right creed was the band Skrewdriver. Lead singer Ian Stuart Donaldson was recruited by the National Front—which had failed to enlist any actual Oi! bands—and reconstituted Skrewdriver as a white power skinhead act. While the band shared visual and musical attributes with Oi!, Bushell asserts, "It was totally distinct from us. We had no overlap other than a mutual dislike for each other."[6] Donaldson and Crane would later go on to found a magazine, Blood and Honour, and a street-orientated 'skinhead' club of the same name that arranged concerts for Skrewdriver and other racist bands such as No Remorse. Demonstrating the ongoing conflation of Oi! with the white power skinhead movement by some observers, the Encyclopedia of British and Irish Political Organizations refers to these groups as "'white noise' and 'oi' racist bands".[12] [edit] See also List of Oi! bands Aussie Aussie Aussie, Oi Oi Oi Hardcore skinheads are skinheads who mainly associate with hardcore instead of Oi!, ska, soul or other music genres associated with the skinhead subculture. Starting in the early 1980s, there were many skinheads in the New York hardcore scene, although Detroit, Chicago, Seattle and Boston also had strong scenes. Skinheads became prevalent towards the end of the first wave of hardcore, and this continued through the youth crew era of hardcore. Many of the key New York skinhead hardcore bands were influenced by the burgeoning crossover thrash scene. In the early 1990s, there was a steep decline in the involvement of skinheads in the hardcore scene as more of them moved on to the American Oi! scene. However, these American Oi! bands were distinct from their British forerunners because they were influenced by the American hardcore sound. The hardcore skinhead scene did not completely fade away in New York City, with several bands coming from the DMS crew (Doc Marten Skinheads), such as Madball, Agnostic Front, and Murphy's Law. [edit] Style and clothing Although characterised by some of the same items as British skinhead fashion (flight jackets, Ben Sherman shirts, Fred Perry shirts, rolled up jeans, braces, and combat boots or Dr. Martens boots), hardcore skinhead dress is considerably less strict than traditional skinhead style. Items that have been popular in the hardcore skinhead subculture include: leather jackets, army jackets, windbreaker jackets, hooded sweatshirts, bandanas, white "wifebeater" shirts, looser jeans (perhaps torn at the knee), heavy chains worn as belts, and construction or rigger's gloves. Trainer sneakers, in particular Adidas Sambas, have been popular. [edit] Bands associated with the scene 7 Seconds Agnostic Front Breakdown Cro-Mags The Effigies Gorilla Biscuits H2O Iron Cross Life's Blood Lockjaw M.O.D. Madball Merauder Murphy's Law Negative Approach Neglect One Life Crew Sheer Terror Sick of It All Youth Brigade Youth Defense League Youth of Today Warzone Warzone was an American hardcore band formed on the Lower East Side of Manhattan in 1982. The band helped develop the New York hardcore sound, the hardcore skinhead style and the youth crew subgenre. During the band's 15 years and many line-up changes, their primarily hardcore sound was flavored by influences ranging from Oi! (they toured several times with The Business and played a cover of their song The Real Enemy), to traditional punk rock, and a heavy metal phase (on their self-titled LP, Warzone). Their fan base was diverse, with their concerts usually attended by skinheads, straight edge teens, metalheads and punks of all ages. Frontman Raymond "Raybeez" Barbieri was the band's only consistent member, from its formation until Barbieri's death on September 11, 1997 due to pneumonia. A U.S. Navy veteran, he was receiving treatment in a Veterans Health Administration facility when the illness damaged his liver and took his life at the age of 35. For more than a year following his death, every release on the Victory Records label was dedicated to his memory, as well as two independent compilations. These albums — as well as benefit concerts following his death — raised funds for several non-profit groups Ray had worked for which helped at-risk youth. Barbieri sang lyrics urging unity and spoke out strongly against anything that divided the youth of America against itself. Their song "Under 18" decried the age-based discriminatory practices at many venues that demanded IDs for entry; "War Between Races" demanded an end to racial violence and prejudice within the hardcore scene, and "Brother and Sisterhood" encouraged young women and girls to become active in the traditionally male-dominated hardcore punk scene. Their concerts were often marred by violence, so Barbieri usually sang out in the crowd, using it as an opportunity to stop fights before security could respond. This tactic often cooled tempers more quickly than stopping the show might have, and prevented fans from being escorted out of the show. His position in the crowd rather than elevated on a stage also endeared him to fans in a way few other performers in the genre have ever achieved. Warzone fans were not simply encouraged to sing along, they often dictated the band's entire set list and even decided how long the group would play, with some sets lasting until Raybeez could barely speak. [edit] Discography Lower East Side Crew (1987) - EP Don't Forget The Struggle, Don't Forget The Streets (1988) - LP Open Your Eyes (1989) - LP Warzone (1990) - LP Live at CBGBs (1993) - live EP Old School to New School (1994) - LP Split with Cause for Alarm (1995) - split 10" EP Lower East Side (1996) - EP The Sound of Revolution (1996) - LP Fight For Justice (1997) - LP The Victory Years (1998) - partial discography LP Revelation Records is an independent record label focusing originally and primarily on hardcore punk. The label is known for its role in the evolution of hardcore and metallic post-hardcore with important releases by bands such as Youth of Today, Warzone, Sick of It All, Quicksand, Side By Side, Chain of Strength, Shelter, Judge, No For An Answer, and End of a Year. Revelation, along with the bands it put out in the late 1980s, is usually credited with creating and cementing the "youth crew" sound as well as New York hardcore, which bridged the gap from the earlier bands of almost a decade before and helped carry the music through the early 1990s. To date, the label's best selling releases have been Gorilla Biscuits' Start Today, Inside Out's No Spiritual Surrender and the In-Flight Program compilation. Contents [hide] 1 History 2 Revelation Records logo 3 Discography 4 External links [edit] History Formerly of New Haven, Connecticut, it is now based in Huntington Beach, California. It was founded in 1987 by owner Jordan Cooper, along with Ray Cappo of Youth of Today, with the sole intent of producing the Warzone Lower East Side Crew 7". Within the year, they put out two more releases and a limited 4th pressing of Youth of Today's Can't Close My Eyes 7", which had been originally released on Positive Force Records, just for the two of them to trade for vintage G.I.Joes and other action figures. In the first three years, the label put out 23 releases and pressed approximately 50,000 records, and it has continued to release an average of 7-8 albums a year. Cappo left the business in 1988, to focus on his band Shelter and to start his own label Equal Vision Records (which he later sold to Youth Of Today roadie, former Revelation employee and friend, Steve Reddy), though his albums were still released by Revelation after that, and he also operated Supersoul Records. The label put out several definitive hardcore and metalcore records in the late 1990s and early 2000s, with notable releases coming from Damnation A.D., Will Haven, Shai Hulud, Curl Up and Die, and Himsa. However, by the mid-2000s, Revelation Records had seemingly fallen by the wayside, with very few releases between 2004 and 2006. However, the label is returning to its former stature as a premier old-school hardcore label with strong releases from newer bands like Down to Nothing, Shook Ones, and Sinking Ships. [edit] Revelation Records logo Jordan Cooper explains; "We used stars on the first few releases as a background which was Ray's idea. He liked how Dangerhouse Records had black and yellow bars as their background on the labels so he wanted us to have something to identify Rev with like that. We got a Letraset sheet of stars and used it on the first three records we put out. The fourth record was going to be the Gorilla Biscuits 7" and their friend (who would later join the band as a second guitar player), Alex Brown offered to do the layout for them. Alex took the star concept and put the letter "r" in a star and had the label name under it inside a box. Ray, Alex and Porcell all lived together in Brooklyn at the time so Ray saw the artwork before I did. He really liked the idea and called me to tell me about it. From his description over the phone I re-created it. That was the logo we ended up using because we had already used it on a few things (probably flyers, catalogs and ads). We used it on the GB 7" and the Side By Side and No For An Answer records and repressings of the Sick of It All 7" too. Then we were working with Dave Bett at our main distributor Important on the layout for the New York City Hardcore – The Way It Is compilation and he offered to clean it up for us. He did and that's basically the logo we've been using ever since." [edit] Discography REV 001 - Warzone - Lower East Side Crew 7" EP (1987) REV 002 - New York City Hardcore:Together compilation 7" EP (1987) REV 003 - Sick of It All - self-titled 7" EP (1987) REV 004 - Gorilla Biscuits - self-titled 7" EP (1987) REV 005 - Side by Side - You're Only Young Once... 7" (1988) REV 006 - No For An Answer - You Laugh 7" EP (1988) REV 007 - New York City Hardcore:The Way It Is compilation CD (1988) reissued in 1992. REV 008 - Youth of Today - Break Down The Walls LP (1988) REV 009 - Bold - Speak Out LP (1988) REV 010 - Chain of Strength - The One Thing That Still Holds True LP REV 011 - Bold - Looking Back[disambiguation needed] LP (1989) REV 012 - Gorilla Biscuits - Start Today LP (1989) REV 013 - Slipknot - self-titled 7" EP (1989) REV 014 - Judge - New York Crew 7"(1989) REV 015 - Judge - Bringin' it Down 12"(1989) REV 016 - Shelter - Perfection of Desire 12" (1990) REV 017 - Youth of Today - self-titled 12" (1990) REV 018 - Quicksand - self-titled 7" EP (1990) REV 019 - Inside Out - No Spiritual Surrender 7" EP (1990) REV 020 - Judge - The Storm 7" EP (1990) REV 021 - Supertouch - The Earth is Flat 12" (1990) REV 020 - Burn - self-titled 7" (1990) REV 023 - Ray & Porcell - self-titled 7" (1991) REV 024 - Into Another - self-titled 12" (1991) REV 025 - Farside - Rochambeau 12" (1992) REV 027 - Iceburn - Hephaestus 12" (1993) REV 028 - Underdog - Demos 12" (1993) REV 029 - Statue - Filter The Infection 12" (1993) REV 030 - Mike Judge & Old Smoke - Sights 12" (1993) REV 029 - Orange 9mm - self-titled 12" (1994) REV 030 - Sense Field - Killed For Less 12" (1994) REV 031 - Farside - Rigged 12" (1994) REV 032 - Iceburn/Engine Kid - Split 12" (1994) REV 033 - Into Another - Ignaurus 12" (1994) REV 034 - Iceburn - Poetry of Fire 12" (1994) REV 035 - Sense Field - self-titled 12" (1994) REV 036 - Engine Kid - Angel Wings 12" (1995) REV 037 - Whirlpool - self-titled 12" (1995) REV 038 - Shades Apart - Save It 12" (1995) REV 039 - CIV - Set Your Goals 12" (1996) REV 040 - CIV - Can't Wait One More Minute 7" (1995) REV 041 - CIV - All Twisted 7" (1995) REV 042 - Into Another - Poison Fingers 7" (1995) REV 043 - Quicksand - Manic Compression 12" (1995) REV 044 - State of the Nation self-titled 12" (1995) REV 045 - Farside - self-titled 7" (1995) REV 046 - Sense Field - Building 12" (1996) REV 047 - Texas Is the Reason - self-titled 7" (1995) REV 048 - Into Another - Seemless 12" (1996) REV 049 - Iceburn Collective - Meditavolutions 12" (1996) REV 050 - In-Flight Program compilation CD (1997) REV 051 - Texas Is the Reason - Do You Know Who You Are? 12" (1997) REV 052 - Whirlpool - Liquid Glass 12" (1997) REV 053 - Good Riddance / Ignite - Split 12" (1997) REV 054 - Ignite - Past Our Means 12" (1997) REV 055 - CIV - Social Climber 12" (1997) REV 056 - Rage Against the Machine - People of the Sun (1997) REV 057 - Shades Apart - Seeing Things (1997) REV 058 - Kiss it Goodbye - She Loves Me, She Loves Me Not 12" (1997) REV 059 - Youth of Today - We're Not in This Alone (1997) REV 060 - Better Than A Thousand - Just One 12" (1997) REV 083 - Garrison (band) - "The Bend Before the Break REV 085 - Fastbreak - "Whenever You're Ready" REV 087 - Himsa - Ground Breaking Ceremony CD (Nov. 2nd, 1999) REV 093 - Garrison - "A Mile in Cold Water" REV 097 - The Movielife - This Time Next Year CD (2000) REV 099 - Gameface - "Always On" REV 100 - Revelation 100: 15 Year Retrospective of Rare Recordings compilation CD REV 101 - Right Brigade - "Right Brigade" REV 103 - Garrison - "Be a Criminal" REV 105 -Thirty-two Frames - Thirty-two Frames CD (2002) REV 110 - Revelation Records 2004 Collection compilation CD (2004) REV 112 - Since By Man - We Sing the Body Electric CD/LP (2003) REV 115 - Shai Hulud - That Within Blood Ill-Tempered (2003) Reached position #39 on the Billboard Independent Album chart. REV 118 - Garrison - "The Silhouette" REV 126 - Curl Up And Die - "The One Above All, The End Of All That Is" (2005) REV 127 - Temper Temper - "Temper Temper" REV 130 - Generations: A Hardcore Compilation compilation CD REV 131 - Elliott - "Photorecording" REV 132 - Since By Man - "Pictures From The Hotel Apocalypse" REV 133 - Twilight Transmission - "The Dance Of Destruction" REV 134 - Shook Ones - "Slaughter Of The Insole" REV 135 - Gracer - "Voices Travel" REV 136 - Sinking Ships - "Disconnecting" REV 137 - Shai Hulud - "A Profound Hatred of Man" REV 138 - Shai Hulud - "Hearts Once Nourished With Hope And Compassion" REV 139 - End of a Year - "Sincerely" REV 140 - Down to Nothing - "Higher Learning" REV 141 - Down to Nothing - "The Most" REV 142 - Shook Ones - "Facetious Folly Feat" REV 143 - Sinking Ships - "Ten" REV 144 - Capital - "Homefront" REV 145 - Living Hell - "The Lost and the Damned" REV 146 - Down to Nothing - "Unbreakable" REV 147 - Mouthpiece - "Can't Kill What's Inside: The Complete Discography" REV 148 - By a Thread - "s/t" Youth Defense League was an Oi!/New York Hardcore (NYHC) band formed in 1986. The band was featured in the Revelation Records compilation album New York City Hardcore, which featured several NYHC bands, including Sick Of It All and Gorilla Biscuits. The group has been accused of racism and possible neo-Nazi sympathies. [1] The band used nationalistic slogans and expressed support for the downtrodden white, working-class. Contents [hide] 1 Discography 1.1 Albums 1.2 Singles & Eps 1.3 Compilations 2 References [edit] Discography [edit] Albums Skins for Skins demo (Demo-tape, 1986) Skinheads 88 demo (Demo-tape, 1988) Youth Defense League (New Glory Records – CD, 1999) (bootleg; contains Skin For Skin and Skinhead 88 demos, both singles, plus unreleased) American History (Live at CBGB's 1987-1988 – Vulture Rock – CD/LP, 1999) Voice of Brooklyn (Vulture Rock – LP w/7", 2005) (complete studio recordings, remixed) [edit] Singles & Eps "American Pride" (Oi Core – Single, 1988) "Skinhead 88"/"The Boys" (Vulture Rock – Promo Single 7", 1999) (tracks from American History LP/CD) "Old Glory" (Vulture Rock – 12", 2000) (remix of unreleased single) "American Pride" (Vulture Rock – 12", 2000) (remixed reissue) [edit] Compilations Oi! Glorious Oi! (Step 1 UK – CD/LP, 1987) (song: Turncoat [from Skinhead 88 demo]) Spirit of Oi!: American Style Part 1 (Oi Core - CD, 1989) (song: Skinhead 88 [from Skinhead 88 demo]) US of Oi! Volume 1 (Step 1 UK – CD/LP, 1988) (songs: Skinhead 88, Youth of America, Turncoat [all from Skinhead 88 demo]) New York City Hardcore: The Way It Is (Revelation Records - CD/LP, 1988) (song: Blue Pride [from Skinhead 88 demo]) Still Out of Fucking Order (Step 1 UK – CD/LP) (song: Skinhead 88 [from Skinhead 88 demo]) [edit] References