Herbie Hancock Future Shock 1983 Electronic Future Jazz Electro Signed Autograph

$

70

(Signed by the artist on front cover *see pics*)

Herbie Hancock: Future Shock

Label:
Columbia ?– FC 38814
Format:
Vinyl, LP, Album
Country:
US
Released:
1983
Genre:
Electronic
Style:
Future Jazz, Electro

Tracklist

A1     Rockit     5:22
A2     Future Shock     8:02
A3     TFS     5:15
B1     Earth Beat     5:10
B2     Autodrive     6:25
B3     Rough     6:57

Companies, etc.

    Mastered At – Masterdisk

Credits

    Bass – Bill Laswell
    Keyboards – Herbie Hancock, Michael Beinhorn
    Mixed By – Dave Jerden
    Producer – Herbie Hancock, Material
    Scratches – Grandmixer D. ST. (tracks: A1, B1, B3)
    Written-By – Laswell (tracks: A1, A3 to B3), Curtis Mayfield (tracks: A2), Hancok (tracks: A1, A3 to B3), Beinhorn (tracks: A1, A3 to B3)

- Herbie Hancock
Real Name:
Herbert Jeffrey Hancock
Profile:
American pianist, keyboardist, composer, band leader.
Born 12 April 1940 in Chicago, Illinois.

Hancock is one of the best known modern jazz composers, creator of “Watermelon Man” (which has been a reference point throughout his career), “Maiden Voyage”, “Dolphin Dance”, right through to the dance grooves of “Rockit”. Hancock also has the distinction of having made the largest-selling jazz record of all time in “Head Hunters”.


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If the record does not live up to our grading upon receipt, please email
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General standards For Record Grading

(M) Mint Record still shrink wrapped, new copy of a record.

(NM) Near Mint Almost perfect record that has usually only
been played 1-3 times, in "like new" condition, no visual defects.

(NM-/ EX+) Almost near mint, maybe a few very light marks but
nearly perfect.

(VG+/ EX) Very Good Plus / Excellent Record
will show minor signs that it was played but otherwise handled by a
previous owner who took good care of it. Record surface may show
light scuffs or very light scratches that don't affect one's listening
experiences. Slight warps that do not affect the sound are "OK".

The label may have some ring wear or discoloration, but it should
be barely noticeable. The center hole will not have been misshapen
by repeated play. Picture sleeves will have some slight wear, lightly
turned up corners, or a slight seam split.

An LP cover may have slight signs of wear also and may be marred by a
cut-out hole, indentation or corner indicating it was taken out of print
and sold at a discount. In general, if not for a couple things wrong with
it, this would be Near Mint.

All but the most mint-crazy collectors will find a Very Good Plus (VG+)
record highly acceptable.

(VG) Very Good Record has more wear than VG+ with some
more surface noise, light pops, scuffs or light scratches. Generally
still a great playing copy, no skips. Jacket may have more shelf wear,
a little writing, sticker residue, punch out/cut out holes or corners.

(VG-) Very Good- Record has noticeable groove wear, discoloration,
surface noise, louder pops, marks & scratches/ scuffs but still a decent
playing copy, no skips. Cover may has heavier shelf wear, more discoloration
and split seams.

(G/ G+) Good/ Good Plus Record still plays without skipping
but has considerable amounts of groove wear, discoloration, surface noise,
scuffs, and/or scratches.  Sleeve has a lot of wear and some defects such
as split seams, heavy creasing, writing, marks, sticker residue, etc...

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