Bob Dylan Bootleg Series Vol 4 'Royal Albert Hall'
  £   41
  $   54

 


£ 41 Sold For
Jul 11, 2009 Sold Date
Jul 4, 2009 Start Date
£   25 Start price
5   Number Of Bids
  Great Britain Country Of Seller
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Description

 Bob Dylan   Bootleg Series Volume 4   Double Album Box Set  200g Vinyl in Mint Condition 

Disc 1 (solo acoustic)

  1. "She Belongs to Me" – 3:27
  2. "4th Time Around" – 4:37
  3. "Visions of Johanna" – 8:08
  4. "It's All Over Now, Baby Blue" – 5:45
  5. "Desolation Row" – 11:31
  6. "Just Like a Woman" – 5:52
  7. "Mr. Tambourine Man" – 8:52

Disc 2 (Electric band)

  1. "Tell Me, Momma" – 5:10
  2. "I Don't Believe You (She Acts Like We Never Have Met)" – 6:07
  3. "Baby, Let Me Follow You Down" (Eric von Schmidt. Arr. Dylan) – 3:46
  4. "Just Like Tom Thumb's Blues" – 6:50
  5. "Leopard-Skin Pill-Box Hat" – 4:50
  6. "One Too Many Mornings" – 4:22
  7. "Ballad of a Thin Man" – 7:55
  8. "Like a Rolling Stone" – 8:01


Live 1966: The "Royal Albert Hall" Concert is a live recording from Bob Dylan's legendary "world tour" in 1966. Released in 1998 after years of being bootlegged, it is widely regarded as an essential document in the development of popular music in the 1960s.

The album debuted on the Billboard 200 on October 24, 1998 at number 31. It was awarded and certified a gold record on November 11, 2005 by the RIAA.

The same month, critic Jon Landau reviewed another edition of the concert:

“ Needless to say, the album is both musically great and an amazing path back into the temperament of the sixties. Listening to it, it isn't hard to remember Dylan on stage of the Donnally Memorial Theatre in Boston or at Forest Hills in New York standing toe to toe, eyeball to eyeball with Robbie Robertson between every verse of practically every song, while the guitarist played his fills. Nor is it hard to remember that long, lean, frail look that sometimes made you wonder what gave him the strength to stand up there in the first place, as he remembered the unbelievably complex lyrics to his unbelievably long songs, without ever faltering...It isn't hard for me to remember the booing, the names, the insults he endured just to be standing there with an electric band...On this album the audience claps at the wrong time, claps rhythmically as if to deliberately throw his timing off. At the beginning of 'One Too Many Mornings' he tells a completely psychotic story in a very low voice while the audience makes its noise. As they gradually lose their energy, he finds his and his voice gets louder, until, when they are almost completely silent he says plainly, 'if you only wouldn't clap so hard.' The audience applauds the statement.
Many other Dylan Live Recordings available ask for details.  Thanks for looking



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