BEACH BOYS  A SET OF 18 LPS MOST ALL AUDIOPHILE VINYL TITLES WITH 30 PIECES OF STUDIO - LIVE & SOLO VINYL.

 HERE ARE THE VARIOUS VINYL RELEASE INFORMATION WITHIN THE COLLECTION -

STARTS WITH THE TREMENDOUSLY RARE AND VALUABLE OUT OF PRINT The Beach Boys The Smile Sessions 180 GRAM LIMITED EDITION Mono 2LP SIMPLY IMPOSSIBLE TO FIND IN PRISTINE SEALED COLLECTORS PRESSING. PLEASE NOTE THIS TITLE HAS A DENT ON THE LEFT SIDE AND A SMALL BRUISE IN THE UPPER RIGHT HAND CORNER OF THE JACKET OTHER THEN THAT PRISTINE SEALED.

Rolling Stone 500 Greatest Albums of All Time - Rated 381/500!

Featured in Michael Fremer's Heavy Rotation in the March 2012 Issue of Stereophile! 

Legendary Unreleased 1966-'67 Album!
Cut by Chris Bellman at Bernie Grundman Mastering from Original Masters!
Gatefold Packaging & Artwork Designed by Frank Holmes! 

With the full participation of original Beach Boys Al Jardine, Mike Love, and Brian Wilson, Capitol/EMI has, for the first time, collected and compiled the band’s legendary 1966-’67 sessions for the never-completed SMiLE album.

In numerous sessions between the spring of 1966 and the summer of 1967, The Beach Boys recorded a bounty of songs and drafts for an album, SMiLE, that was intended to follow the band's 1966 masterpiece, Pet Sounds. The master tapes were ultimately shelved, and The Beach Boys' SMiLE has never been released. Drawn from the original masters, The SMiLE Sessions presents an in-depth overview of The Beach Boys' recording sessions for the enigmatic album, which has achieved legendary, mythical status for music fans around the world. 

The SMiLE Sessions’ 180g vinyl double LP features an approximation of what was intended to be the completed SMiLE album, compiled from The Beach Boys’ original session masters. Additional session highlights and bonus tracks are also included, including demos and stereo mixes.

Produced by Brian Wilson, Mark Linett, Alan Boyd and Dennis Wolfe in Los Angeles The SMiLE Sessions’ 2LP Set includes an assembled collection of core session tracks. The SMiLE Sessions invites the listener into the studio to experience the album's creation, with producer, singer and bassist Brian Wilson's vision leading the way as he guides his fellow Beach Boys, singer Mike Love, drummer Dennis Wilson, lead guitarist Carl Wilson, rhythm guitarist Al Jardine, and newest member Bruce Johnston (who'd replaced Brian Wilson in the touring group during 1965), through the legendary sessions.

Artwork for The SMiLE Sessions’ has been created with and inspired by Beat-Pop artist Frank Holmes’ original 1967 LP sleeve art and booklet designs intended for the SMiLE album. 

When Capitol/EMI and The Beach Boys first announced plans for The SMiLE Sessions’ 2011 release, the news spread rapidly. Pitchfork reported, "The Beach Boys’ SMiLE is quite possibly the most storied album in rock history," Billboard proclaimed the upcoming release "an event that pop music fans have been waiting for since the Summer of Love," and The Washington Post called SMiLE "the most legendary unreleased album of all time."

The best efforts have been taken by The Beach Boys, the producers, and Capitol/EMI to present the SMiLE album sessions’ most vital and fascinating elements. However, there will no doubt be some debate amongst Beach Boys fans around the world who, during the past four decades, have become familiar with a variety of widely-traded bootlegged bits and pieces from the sessions. As recently explained by the Detroit Metro Times, “No album, released or not, has generated a more personal relationship with its audience, since no two people can ever agree on its content and purpose.” 

Beginning with “Good Vibrations,” The Beach Boys’ best-selling record in a long string of hits, Brian Wilson had begun to construct songs in a modular form, crafting individual sections that would later be edited together to form a coherent whole. In several intense bursts of creative energy, Wilson, drawing on the talents of the finest studio musicians in Los Angeles and utilizing the best studio facilities available on any given day, laid down dozens of musical fragments, all designed to fit together in any number of possible combinations. No one had done this before in pop music, and his next endeavor would be an album-length version of this unique and luxurious songwriting parlance: SMiLE.

In 1965, Brian Wilson met an up-and-coming session keyboard player and songwriter, Van Dyke Parks. Noticing Parks' conversational eloquence, Wilson felt that he could help to volley The Beach Boys’ songwriting into the wave of broader-messaged and socially-conscious rock 'n' roll that would come to define the '60s. They were soon collaborating on keynote songs for SMiLE, including “Heroes And Villains,” the band’s follow-up single to “Good Vibrations.” Wilson and Parks would also co-write “Surf's Up,” “Vega-Tables,” “Cabin Essence,” “Do You Like Worms,” “Wonderful,” “Wind Chimes,” and other pieces of the SMiLE tapestry. Parks also introduced Frank Holmes to create album sleeve art and a booklet interpreting the album’s James Joyce-mode lyrics.

The reason SMiLE did not see a release in 1967 had more to do with back room business that obscured the creative side of the program than anything else. In late 1966, The Beach Boys formed Brother Records, initially to produce outside artists. Soon, however, The Beach Boys would become embroiled in a court action with Capitol Records with the goal to become the top-selling artists on their self-owned, independent label. The group withheld “Heroes And Villains” and announced they would instead release “Vega-Tables” – recorded with the band’s own money in April of '67 – on Brother Records. By July of 1967, Capitol Records and The Beach Boys had come to terms, with Capitol agreeing to distribute the band’s Brother Records, and it was agreed that SMiLE was no longer to be the band’s next album.

"The most famous unfinished album in rock & roll history..." - Rolling Stone

Features:
• 180g Vinyl
• Double LP
• Gatefold packaging
• Drawn from Original Masters
• Inner sleeve art
• Lyrics
• 12" x 12" booklet created for the original release
• Original Mono Mix

Selections:
LP1 - Side 1:
1. Our Prayer
2. Gee
3. Heroes and Villains
4. Do You Like Worms (Roll Plymouth Rock)
5. I'm In Great Shape
6. Barnyard
7. My Only Sunshine (The Old Master Painter/You Are My Sunshine)
8. Cabin Essence
LP1 - Side 2:
1. Wonderful
2. Look (Song for Children)
3. Child Is Father Of the Man
4. Surf's Up

LP2 - Side 3:
1. I Wanna Be Around / Workshop
2. Vega-Tables
3. Holidays
4. Wind Chimes
5. The Elements: Fire (Mrs. O'Leary's Cow)
6. Love to Say Dada
7. Good Vibrations
LP2 - Side 4:
1. You're Welcome (stereo mix)
2. Vega-Tables (stereo mix)
3. Wind Chimes (stereo mix)
4. Cabin Essence (Session highlights and stereo backing track)
5. Surf's Up (Session Excerpt and Stereo mix)

The Beach Boys Pet Sounds 200 GRAM LIMITED EDITION 45 RPM DOUBLE GATEFOLD JACKET LP (Mono) SET

The Ultimate Pressings of the Beach Boys Discography from Analogue Productions! Now cut at 45 RPM, double LP!

200g Vinyl LP Pressed at Quality Record Pressings! Mono Mix Created Under Brian Wilson's Supervision!

Mastered by Kevin Gray at Cohearent Audio from the Original Master Tapes or Best Sources Available!

Rolling Stone 500 Greatest Albums of All Time - Rated 2/500!

"It was Pet Sounds that blew me out of the water…I love the album so much. I've just bought my kids each a copy of it for their education in life. I figure no one is educated musically 'til they've heard that album." -Paul McCartney

"All of us, Ginger (Baker), Jack (Bruce), and I consider Pet Sounds to be one of the greatest pop LPs to ever be released. It encompasses everything that's ever knocked me out and rolled it all into one." -Eric Clapton

To meet the standards of Analogue Productions, their Beach Boys album reissues had a mission to achieve: Present the band's music the way that Brian Wilson — famed co-founder, songwriter and arranger — intended. Mono mixes created under Wilson’s supervision were how the surf rockin’ California crew rose to fame! And they’ve got ‘em!

For the early part of the Beach Boys' career, all of their singles were mixed and mastered and released only in the mono format — they didn't release a single in stereo until 1968. In those days, hits were made on AM radio in mono. And the mono of those times worked well for Wilson, who suffers from partial deafness. In fact, for their first 13 albums, Wilson originally turned in all the final mixed Beach Boy albums to Capitol Records only in mono.

The mono mixes were where Wilson paid intense attention, and the dedication paid off!

Analogue Productions has taken 10 of the most classic, best-sounding Beach Boy titles ever and restored them to their mono glory!

But there’s no disputing that the close harmonies and one-of-a-kind rhythms of hits like “Surfer Girl,” “In My Room,” “Little Deuce Coupe” and more lend themselves naturally to stereo. So Analogue Productions has your 2-channel needs covered with prime stereo mix versions as well.

Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in "old school" Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!

Pet Sounds is famous for its use of multiple layers of unorthodox instrumentation as well as other cutting edge audio techniques for its time. It's considered the best Beach Boys album, and one of the best of the 1960s. The group here reached a whole new level in terms of both composition and production, layering tracks upon tracks of vocals and instruments to create a richly symphonic sound.

Conventional keyboards and guitars were combined with exotic touches of orchestrated strings, bicycle bells, buzzing organs, harpsichords, flutes, Theremin, Hawaiian-sounding string instruments, Coca-Cola cans, barking dogs, and more. It wouldn't have been a classic without great songs, and this has some of the group's most stunning melodies, as well as lyrical themes which evoke both the intensity of newly born love affairs and the disappointment of failed romance (add in some general statements about loss of innocence and modern-day confusion as well). The spiritual quality of the material is enhanced by some of the most gorgeous upper-register male vocals (especially by Brian and Carl Wilson) ever heard on a rock record. "Wouldn't It Be Nice," "God Only Knows," "Caroline No," and "Sloop John B" (the last of which wasn't originally intended to go on the album) are the well-known hits, but equally worthy are such cuts as "You Still Believe in Me," "Don't Talk," "I Know There's an Answer," and "I Just Wasn't Made for These Times." It's often said that this is more of a Brian Wilson album than a Beach Boys recording (session musicians played most of the parts), but it should be noted that the harmonies are pure Beach Boys (and some of their best)

VH-1 named Pet Sounds as the No. 3 album in the Top 100 Albums in Rock 'n' Roll History, as judged in a poll of musicians, executives and journalists. It's been ranked No. 1 in several music magazines' lists of the greatest albums of all time, including NME, The Times and Mojo Magazine. It was ranked No. 2 in Rolling Stone's 500 Greatest Albums of All Time list.

Features:
• 200g Vinyl
• 45 rpm mono mixes created under Brian Wilson's supervision
• Mastered by Kevin Gray at Cohearent Audio, most from the original master tapes or best sources available
• Lacquer plating by Gary Salstrom
• Pressed at Quality Record Pressings
• Mono
• GATEFOLD jackets
• Audio Production - Mark Linett
• For Brother Records - Elliott Lott

1. Wouldn’t It Be Nice

                2. You Still Believe In Me

                3. That’s Not Me

                4. Don’t Talk (Put Your Head On My Shoulder)

                5. I’m Waiting For The Day

                6. Let’s Go Away For Awhile

                7. Sloop John B

                8. God Only Knows

                9. I Know There’s An Answer

                10. Here Today

                11. I Just Wasn’t Made For These Times

                12. Pet Sounds

                13. Caroline No

The Beach Boys Holland 200g LP & 12" Vinyl EP The Ultimate Pressings of the Beach Boys Discography from Analogue Productions!

200g Vinyl Double LP Pressed at Quality Record Pressings!

Includes Bonus 12" Mount Vernon EP w/33rpm Cut Of "Mount Vernon And Fairway (A Fairy Tale)" & 45rpm Bonus Cut "Sail On Sailor"!

Mastered by Kevin Gray at Cohearent Audio from the Original Master Tapes or Best Sources Available!

A musical legacy that began in Hawthorne, California and went on to conquer the world. Analogue Productions presents the ultimate pressings of 14 essential Beach Boys albums! Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in "old school" Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!

The Beach Boy's Holland, the group's 19th studio album, was recorded in Baambrugge, Netherlands in the summer of 1972 and released in January 1973. The Analogue Productions reissue also includes a bonus 12-inch EP: Mount Vernon and Fairway (A Fairy Tale). Side 4 of the EP is a 45 RPM Bonus Cut of "Sail On Sailor" - Holland's famed lead track!

By mid-1972, with Wilson's focus waning from the Beach Boys to other creative outlets, and his personal and health-related issues mounting, Wilson was producing less music for the band than ever before. They decamped for the Netherlands hoping to jump-start Brian's creative energies.

Wilson contributed little to the album, concentrating his musical efforts on Mount Vernon and Fairway, a 10-minute long "musical fairy tale" eventually included with the album as a bonus EP.

The title of the bonus EP was named after the intersection where the Love family lived in Los Angeles, and where the Wilsons and Loves would gather for family celebrations back in the 1940s and '50s when Brian, Mike, Carl and Dennis were all growing up. As a concept for a Beach Boys track, "Mount Vernon and Fairway" initially received a less than enthusiastic response from the other band members when Brian first presented the idea to the group, and this only fueled Brian's steadily worsening depression. Eventually, Carl stepped in to produce the recording for Brian, and the decision was made to include the fairy tale in the album package as a separate EP. Brian himself designed the EP's picture sleeve.

Although "Mount Vernon and Fairway (A Fairy Tale)" was narrated by Jack Rieley, the voice of the Pied Piper was supplied by Brian in a slightly grainier-sounding "cartoon" voice.

The instrumental tracks for "Mount Vernon and Fairway (A Fairy Tale)" were later released on Good Vibrations: Thirty years of The Beach Boys as "Fairy Tale Music".

Features

200g Vinyl

Mastered by Kevin Gray at Cohearent Audio, most from the original master tapes or best sources available

Lacquer plating by Gary Salstrom

Pressed at Quality Record Pressings

'Holland' original 33 1/3 rpm LP

Bonus 12" EP: Side 3 is a 33rpm cut of "Mount Vernon And Fairway (A Fairy Tale)" & Side 4 is a 45rpm cut of "Sail On Sailor"

Stereo

"Old school" Stoughton tip-on gatefold jacket

Audio Production - Mark Linett

For Brother Records - Elliott Lott

Selections

Holland LP

SIDE 1:

Sail On Sailor

Steamboat

California Saga / Big Sur

California Saga / The Breaks Of Eagles

California Saga / California

SIDE 2:

The Trader

Leaving This Town

Only With You

Funky Pretty

12" Mount Vernon EP

SIDE 3:

Mt. Vernon And Fairway - Theme

I'm The Pied Piper - Instrumental

Better Get Back In Bed

Magic Transistor Radio

I'm The Pied Piper

Radio Kingdom

SIDE 4:

Sail On Sailor (45rpm)

 

Upon the band's return from the Netherlands in the fall, Holland was rejected by Reprise Records for not having a potential hit single. Added to the track list was an unfinished Brian Wilson song "Sail On, Sailor" that he'd originally co-written with Ray Kennedy, and finally completed with the help of Van Dyke Parks, Jack Reiley and Tandyn Almer. It would ultimately become Holland's most famous track. A casualty of the album's tracklist reshuffling was another Fataar/Chaplin tune, written with Mike Love, called "We Got Love". A live version was included on the group's 1973 release The Beach Boys In Concert.

The Beach Boys Summer Days (And Summer Nights!!) 180 GRAM LIMITED EDITION CAPITOL RECORDS FROM THE VAULT SERIES LP (STEREO)

Summer Days features another Wilson world-beater production, "California Girls," and the band's second No. 1 single, "Help Me, Rhonda." Ever pressured by commercial concerns, Wilson and the band created what was in essence the true follow-up to the All Summer Long album. Still, there's a level of musical sophistication to tracks such as "Salt Lake City," the Phil Spector tribute "Then I Kissed Her," "Summer Means New Love" and "Let Him Run Wild."

Features:
• 180 GRAM Vinyl
• 33 1/3 rpm STEREO
•  PART OF THE OUT OF PRINT CAPITOL RECORDS VAULT ANNIVERSARY SERIES

                Side 1

                The Girl From New York City

                Amusement Parks U.S.A.

                Then I Kissed Her

                Salt Lake City

                Girl Don’t Tell Me

                Help Me, Rhonda

               

Side 2

                California Girls

                Let Him Run Wild

                You’re So Good To Me

                Summer Means New Love

                I’m Bugged At My Ol’ Man

                And Your Dream Comes True
 

SMILEY SMILE - TREMENDOUSLY RARE180 GRAM VINYL SIMPLY VINYL UK PRESSED .

THESE Simply Vinyl UK products have the best collectors heavy duty protective packaging of the product in the business. This deluxe REUSABLE packaging allows the owner a tremendous way to store that item once opened so it stays in pristine condition for the life of the product. No other company ever put this much cost into there packaging for collectors.

 - 180 Gram Limited Edition Simply Vinyl classic LP (made in England - has the best protective packaging I’ve seen) high-definition Virgin Vinyl pressing for superior fidelity. The nicest thing you can do for your stylus and your ears. The ultimate record -- the way music was meant to be heard and of superior quality.

The Simply Vinyl 180 GRAM Collection is currently the only way a collector can identify if these U.K. Abbey Road Studio pressings are Out of Print First Generation copies of some of the finest heavy vinyl masterpieces ever made.

Mymusicfix has an exclusive list of these 180 GRAM OUT OF PRINT Edition titles you will not find at any Audiophile Vinyl Dealer anywhere (180 GRAM Collection refers to the marketing sticker attached on the front and back of the sealed product ).

They are known to be some of the finest rock titles ever pressed in Limited Edition Heavy Virgin Vinyl with the best protective packaging ever within the Industry.

These Simply Vinyl 180 GRAM Editions are now starting to reach the $100 value per copy in the Vinyl Collector's Market. All the titles Mymusicfix is listing in this newsletter are what we classify as "Here Today, Gone Tomorrow" Collector's titles.

These pressings are tremendously limited in these 180 GRAM Edition Pressings and Mymusicfix is down to our last few copies.

Don't Miss Out on these Rare Out Of Print Pressings - Enjoy being one of the last people in the world to own one of these 180 GRAM Limited Edition heavy vinyl gems.

The follow-up to such a classic as PET SOUNDS- is the legendary SMILEY SMILE. Even attempting to follow up the brilliance of PET SOUNDS would be a tough mission for anyone, let alone the Beach Boys!. Add into the equation the astounding array of mind-bending drugs which were around at the time and the descent into weirdness which affected the Beach Boys resident genius Brian Wilson and we have all the ingredients of an A#1disaster. Well, make no mistake about it, there is little doubt that the Beach Boys lost their former Surfing audience and exchanged them for a new generation of stoners.

Containing the magnificent "Good Vibrations" (No.1 UK, No.1 US '66) and the audacious "Heroes and Villains" (No.9 UK, No.12 US '67), SMILEY SMILE is definitely an album of some very weird and wonderful times.

Other tracks include:  Vegetables - Fall Breaks and Back To Winter - She's Goin' Bald - Little Pad - With Me Tonight - Wind Chimes - Getting Hungry - Wonderful - Whistle In

Needless to say, it sounds absolutely superb on beautiful 180 gram vinyl - as it was meant to be heard.

THE BEACH BOYS THE BEACH BOYS TODAY! 180 GRAM LP FROM THE CAPITOL RECORDS OUT OF PRINT VAULT SERIES

Rolling Stone 500 Greatest Albums of All Time - Rated 271/500!

The highly acclaimed and industry leading vinyl initiative, EMI's "From the Capitol Vaults", continues with crucial titles from the Beach Boys, The Band, Frank Sinatra, David Bowie and Faust!

The 1965 album was the Beach Boys' eighth studio album and the first of three to be released that year. The record contains the original version of the classic hit "Help Me, Rhonda". "Today!" marked a major turning point for the band, and especially the exhausted Brian Wilson. This was the point Wilson gave up touring, and many consider this the beginning of his artistic maturation.

One side of the album contains upbeat songs including "Do You Wanna Dance" and "Help Me Rhonda" while the second side features ballads such as "Please Let Me Wonder" and "Kiss Me, Baby". Aside from their highly successful "Pet Sounds", "Today!" is their most highly acclaimed.

"The Beach Boys were still into cars, girls and surfboards, but Brian Wilson was already a genius. He writes sweet California tunes here, from "When I Grow Up (to Be a Man)" to "Don't Hurt My Little Sister." And the haunting "She Knows Me Too Well" hits as deep as anything on Pet Sounds." - rollingstone
Features:
• Limited Edition
• 180g Vinyl

Selections:
1. Do You Wanna Dance?
2. Good To My Baby
3. Don't Hurt My Little Sister
4. When I Grow Up
5. Help Me, Rhonda
6. Dance, Dance, Dance
7. Please Let Me Wonder
8. I'm So Young
9. Kiss Me, Baby
10. She Knows Me Too Well
11. In the Back of My Mind
12. Bull Session With the 'Big Daddy'

The Beach Boys Good Vibrations 50th Anniversary 180 GRAM 12" Vinyl EP (Orange/Yellow Sunburst Vinyl)

50th Anniversary Edition Orange & Yellow Sunburst 180g Vinyl EP!

Good Vibrations was originally released in 1966 as a Capitol Records single. This 50th Anniversary Edition sunburst vinyl EP features the original 7" single version, as well as multiple versions of the iconic track plus the single's B-side, "Let’s Go Away For A While." A pull-out lithograph of the single's original Japanese cover art, with its "Good Vibration" title typo intact, is included in the EP package, which features the original 1966 U.S. single cover art on its front.

Features:
• 180g Orange & Yellow Sunburst EP
• 50th Anniversary Edition
• Lithograph of Japanese cover art

Selections:
Side 1:
1. Good Vibrations (original 45 rpm single version)
2. Good Vibrations (various sessions) 
3. Good Vibrations (alternate take)
Side 2:
1. Good Vibrations (instrumental)
2. Good Vibrations (live concert rehearsal 8/25/67) 
3. Let's Go Away For Awhile (original B-side)

The Beach Boys Feel Flows: The Sunflower & Surf's Up Sessions 1969-1971 4 LP SLIPCASE SET

Both Albums Remastered With 44 Previously Unreleased Tracks On 4LP!

Includes Rare Photos, New Essay & Collectible Litho!

 

The Beach Boys Feel Flows collection is based on the landmark 1970/1971 albums Sunflower and Surf's Up. This 4LP features remastered versions of the original albums and has 64 tracks including 44 previously unreleased tracks, alternate versions, alternate mixes and vocals. Available on black vinyl.

 

Features

4LP

Sunflower original album

Surf's Up original album

44 Previously Unreleased Tracks, Alternate Versions, Alternate Mixes & Vocals

Remastered

Rare photos

New Essay

Collectible litho

Slipcase

Selections

Side A (Sunflower Original Album):

Slip On Through

This Whole World

Add Some Music To Your Day

Got To Know The Woman

Deirdre

It's About Time

Cotton Fields (2020 stereo mix) [previously unreleased bonus track]

San Miguel (backing vocals excerpt) [previously unreleased bonus track]

It's About Time (backing vocals excerpt) [previously unreleased bonus track]

Side B (Sunflower Original Album):

Tears In The Morning

All I Wanna Do

Forever

Our Sweet Love

At My Window

Cool, Cool Water

This Whole World (Live 1988) [previously unreleased bonus track]

Side C (Sunflower Bonus Tracks - previously unreleased):

Loop De Loop (Flip Flop Flyin' In An Aeroplane) (original 1969 mix)

San Miguel (2020 mix)

Susie Cincinnati (2020 mix)

Good Time (2019 mix)

I Just Got My Pay (2019 mix)

Two Can Play (2019 mix)

I'm Goin' Your Way (alternate mix)

Where Is She (2019 mix)

Break Away Tag (backing vocals excerpt)

Our Sweet Love (string section)

Side D (Sunflower Bonus Tracks - previously unreleased):

This Whole World (alternate ending)

Add Some Music To Your Day (alternate version)

Soulful Old Man Sunshine (2019 mix)

All I Wanna Do (a cappella)

Back Home (alternate version)

When Girls Get Together (2019 mix)

It's About Time (live 1971)

This Whole World (backing vocals section)

Side E (Surf's Up Original Album):

Don't Go Near The Water

Long Promised Road

Take A Load Off Your Feet

Disney Girls

Student Demonstration Time (Based on "Riot In Cell Block 9")

Disney Girls (Live 1982) [previously unreleased bonus track]

Feel Flows (backing vocals excerpt) [previously unreleased bonus track]

Side F (Surf's Up Original Album):

Feel Flows

Lookin' At Tomorrow (A Welfare Song)

A Day In The Life Of A Tree

'Til I Die

Surf's Up

A Day In The Life Of A Tree (track & backing vocals) [previously unreleased bonus track]

'Til I Die (a cappella) [previously unreleased bonus track]

Side G (Surf's Up Bonus Tracks - previously unreleased):

It's A New Day

Big Sur

(Wouldn't It Be Nice To) Live Again

H.E.L.P. Is On The Way

4th Of July (2019 mix)

Lady (Fallin' In Love) (1970 stereo mix)

Behold The Night

'Til I Die (piano demo)

Side H (Surf's Up Bonus Tracks - previously unreleased):

Medley: All Of My Love / Ecology

Sweet And Bitter

My Solution

Awake

Take A Load Off Your Feet (Live 1993)

Surf's Up (Live 1973)

A Day In The Life Of A Tree (backing vocals excerpt)

Disney Girls (backing vocals excerpt)

The Beach Boys L.A. (Light Album) 180 GRAM LIMITED EDITION LP

180g Vinyl Reissue!

L.A. (Light Album) is the twenty-third studio album by The Beach Boys, released on March 19, 1979. Produced by Bruce Johnston, James William Guercio and the band itself, the album was The Beach Boys' first on CBS Records, and the first to feature contributions from Johnston since his departure from the band in 1972. 

Johnston was brought in when it became clear that the ailing Brian Wilson was in no fit state to produce the album, and has remained in the band ever since. The album contains excellent harmonies and a laid back vibe. The album spawned a top-ten hit in the UK with Al Jardine's "Lady Lynda" written for his then-wife. 

Features:
• 180g Vinyl

Selections:
1. Good Timin'
2. Lady Lynda
3. Full Sail
4. Angel Come Home
5. Love Surrounds Me
6. Sumahama
7. Here Comes the Night
8. Baby Blues
9. Goin' South
10. Shortenin' Bread

The Beach Boys M.I.U. Album 180 GRAM LIMITED EDITION LP

180g Vinyl Reissue!

M.I.U. Album is the twenty-second studio album by The Beach Boys, released on October 2, 1978 on Brother/Reprise. Recorded during a fraught time for the band, only Mike Love, Al Jardine, and Brian Wilson appear consistently throughout the album, with Carl and Dennis Wilson audible on only a few tracks. Produced by Al Jardine and songwriter Ron Altbach, the album's title stems from Maharishi International University in Fairfield, Iowa, where the majority of the album was recorded. 

Features:
• 180g Vinyl

Selections:
Side One:
1. She's Got Rhythm
2. Come Go With Me
3. Hey Little Tomboy
4. Kona Coast
5. Peggy Sue
6. Wontcha Come Out Tonight
Side Two:
1. Sweet Sunday Kinda Love
2. Belles of Paris
3. Pitter Patter
4. My Diane
5. Match Point of Our Love
6. Winds of Change

The Beach Boys The Beach Boys 180 GRAM LIMITED EDITION LP

180g Vinyl Reissue!

Released in 1985, The Beach Boys' self-titled album was their 25th studio album and was produced by Steve Levine. The album was the first album in five years and their first since the untimely death of founding member Dennis Wilson.

Besides the songs written by the band members (Brian Wilson, Carl Wilson, Mike Love, Bruce Johnston and Al Jardine), Stevie Wonder and Culture Club also donated one song each to the cause.

The song "I Do Love You" features keyboards and harmonica performed by Stevie Wonder, also wrote the song. Ringo Starr appears on "California Caling" while guitarist Gary Moore performs both guitar and synthaxe on all tracks.

Features:
• 180g Vinyl

Selections:
1. Getcha Back
2. It's Gettin' Late
3. Crack At Your Love
4. Maybe I Don't Know
5. She Believes In Love Again
6. California Calling
7. Passing Friend
8. I'm So Lonely
9. Where I Belong
10. I Do Love You (feat. Stevie Wonder)
11. It's Just A Matter of Time

 

The Beach Boys Sounds of Summer: The Very Best of The Beach Boys Half-Speed Mastered 2LP

The Best of The Beach Boys On Half-Speed Mastered Double LP!

This compilation of The Very Best of The Beach Boys was originally released in 2003. The collection contains nearly every US Top 40 hit of their career including "California Girls", "Wouldn't It Be Nice", "Come Go With Me", "Don't Worry Baby" and more.

Features:
• Double LP
• Half-Speed Mastered
• Gatefold jacket

Selections:
Side A:
1. California Girls
2. I Get Around
3. Surfin' Safari
4. Surfin' U.S.A.
5. Fun, Fun, Fun
6. Surfer Girl
7. Don't Worry Baby (single version)
8. Little Deuce Coupe
Side B:
1. Shut Down
2. Help Me, Rhonda (single version)
3. Be True To Your School (single version)
4. When I Grow Up (To Be A Man)
5. In My Room
6. God Only Knows
7. Sloop John B
Side C:
1. Wouldn't It Be Nice
2. Getcha Back
3. Come Go With Me
4. Rock And Roll Music
5. Dance, Dance, Dance
6. Barbara Ann (single version)
7. Do You Wanna Dance?
8. Heroes And Villains
Side D:
1. Good Timin'
2. Kokomo
3. Do It Again
4. Wild Honey
5. Darlin'
6. I Can Hear Music
7. Good Vibrations

BEACH BOYS - ENDLESS SUMMER 180 GRAM DOUBLE LP SET WITH GATEFOLD JACKET  -  

 "This was the album by which millions of sons of late baby boomers (and sons and daughters of the early ones) first really discovered the Beach Boys, beyond hearing the occasional oldie on the radio. It was the summer of 1974, and the Beach Boys were still trying to get themselves back on track commercially after a seven-year commercial dry spell, when this double LP of their 1963-1966 material (all but one cut predating Pet Sounds) came along and did the job. Endless Summer, which was assembled in consultation with Mike Love, soared to number one and charted high over two subsequent summers and attracted the enthusiastic attention of millions of listeners too young to have bought their singles back when." – All Music Guide

 

- 180-gram audiophile pressing

- gatefold jacket

- two LPs

 

 

                1. Surfin' Safari

                2. Surfer Girl

                3. Catch A Wave

                4. The Warmth of the Sun

                5. Surfin' USA

                6. Be True To Your School (album version)

                7. Little Deuce Coupe

                8. In My Room

                9. Shut Down

                10. Fun, Fun, Fun

                11. I Get Around

                12. Girls On the Beach

                13. Wendy

                14. Let Him Run Wild

                15. Don't Worry Baby

                16. California Girls

                17. 7.Girl Don't Tell Me

                18. Help Me, Ronda

                19. You're So Good To Me

                20. All Summer Long

THE LIVE SECTION 

 The Beach Boys Beach Boys Concert 180 GRAM LIMITED EDITION LP

180g Vinyl Reissue Includes "Papa-Oom-Mow-Mow" and "The Wanderer!"

Beach Boys Concert is a live album by the Beach Boys, released in 1964. It is their seventh album in all, and their third alone in the same year. What is perhaps most notable about the album is that it provided the Beach Boys with their first number one album in the US, remaining at the top for four weeks during a sixty-two week chart stay and becoming another gold seller.

Beach Boys Concert proves to be a timely release because leader and producer Brian Wilson was about to vacate his position in the live group, and would only perform sporadically with them over the course of the next three decades. It is also the only live document of the second line up of the Beach Boys in officially released LP form. It was recorded live at the Memorial Auditorium in Sacramento, CA.

The album includes several songs that The Beach Boys regularly performed live but had not previously included on an album, such as "Papa-Oom-Mow-Mow," "The Wanderer" and "Monster Mash." "The Little Old Lady from Pasadena" was actually a Jan & Dean hit. Alongside those were a sampling of their favorites, such as "Hawaii," "In My Room," "Fun, Fun, Fun," and "I Get Around."

Features:
• 180g Vinyl Reissue
• Gatefold jacket

Selections:
Side One:
1. Fun, Fun, Fun
2. The Little Old Lady From Pasadena
3. Little Deuce Coupe
4. Long, Tall Texan
5. In My Room
6. Monster Mash
7. Let's Go Trippin'
Side Two:
1. Papa-Oom-Mow-Mow
2. The Wanderer
3. Hawaii
4. Graduation Day
5. I Get Around
6. Johnny B. Goode

The Beach Boys WITH THE ROYAL PHILHARMONIC ORCHESTRA DOUBLE 180 GRAM LIMITED EDITION AUDIOPHILE LP

180-gram gatefold black vinyl 2LP

The Beach Boys present The Beach Boys With The Royal Philharmonic Orchestra on black vinyl LP. Produced by Nick Patrick and Don Reedman, the album pairs The Beach Boys' original vocal performances with new symphonic arrangements, newly recorded by the Royal Philharmonic Orchestra at Abbey Road Studios.

The Beach Boys With The Royal Philharmonic Orchestra spans decades of timeless Beach Boys hits and favorites across its 17 tracks.

On March 8 and 9, 2018, the Royal Philharmonic Orchestra convened in Studio 2 at Universal Music Group's Abbey Road Studios in London, the storied room where The Beatles, Pink Floyd, and other legendary artists have recorded some of the world's most cherished music. There, they recorded new orchestral arrangements to complement The Beach Boys' classic vocal harmonies from the legendary group's original recordings.

Conducted by Steve Sidwell and Sally Herbert, who also wrote several of the album's new symphonic arrangements, the orchestra dove into The Beach Boys classics, including the new album's earliest hit, 1964's "Fun, Fun, Fun," and its most recent one, 1988's "Kokomo." The album also features the orchestra's new turns on the signature classics "Good Vibrations," "California Girls," "Wouldn't It Be Nice," "God Only Knows," "Sloop John B," "Help Me, Rhonda," "In My Room," "Disney Girls," and several more. The resulting album, The Beach Boys With The Royal Philharmonic Orchestra, honors The Beach Boys' artistry and innovation in an inspired new way with the group's first album collaboration with a full orchestra.

Beach Boys co-founder Brian Wilson says, "I always knew the vocal arrangements I did back in the 1960s would lend themselves perfectly for a symphony and there is no better one in the world than the Royal Philharmonic. I am both proud and humbled by what they have created using our songs and I hope everyone falls in love with it like I have."

Beach Boys co-founder Mike Love says, "This album is one of a kind. I think the fact that the Royal Philharmonic Orchestra has accompanied The Beach Boys with these great arrangements is just a phenomenal thing. It's a whole other dimension to our music."

The Beach Boys' Al Jardine says, "Don Reedman and Nick Patrick did a terrific job on this. I can't imagine having more fun than taking some of these great songs and putting them into this perspective. They did a beautiful job of arranging the music around the original vocals, which I think is a terrific idea. It makes the music feel new all over again!"

 

The Beach Boys' Bruce Johnston says, "When I listened to the album, I realized that the new arrangements performed by the orchestra didn't add the wrong kind of weight. They just added the beautiful fairy dust of the orchestra to what we already recorded. It's another interpretation of us without losing the groundwork of us. I really like it."

 

The Beach Boys With The Royal Philharmonic Orchestra co-producer Nick Patrick says, "I'm a complete and utter fan of The Beach Boys and the way their music makes you feel. The Beach Boys' music is so multi-layered — you can experience it on so many layers. You've got the obvious harmonies, which are amazing. But what we found making this record is when you dig down into the arrangements, they're extraordinary. They're fresh. They're new. They're complex. They're beautiful and constructed in a completely original way."

 

The Beach Boys With The Royal Philharmonic Orchestra co-producer Don Reedman says, "To be able to make this record, it's a great honor. The feeling you get, listening to the original recordings and the performances, and then to be able to put our expression into their recordings through our arrangements and the Royal Philharmonic Orchestra is an absolute thrill."

1. California Suite

                2. California Girls

                3. Wouldn't It Be Nice

                4. Fun, Fun, Fun

                5. Don't Worry Baby

                6. God Only Knows

                7. Sloop John B

                8. Heroes And Villains

                9. Disney Girls

                10. Here Today

                11. In My Room

                12. Kokomo

                13. The Warmth Of The Sun

                14. Darlin'

                15. Help Me, Rhonda

                16. You Still Believe In Me

                17. Good Vibrations

THE SOLO SECTION - 

Brian Wilson Playback: The Brian Wilson Anthology DOUBLE LP GATEFOLD JACKET SET

Solo Career-Spanning Anthology On Double LP!

Brian Wilson's eponymous solo debut for Sire in 1988 launched an extended period of renewal for the iconic Beach Boys songwriter. Rhino revisits Wilson's solo career with an 18-song collection that mixes studio and live recordings with two previously unreleased tracks: "Run James Run," a new song Wilson wrote and recorded for this collection, and "Some Sweet Day," an unreleased gem he wrote with Andy Paley in the early 1990s for an unfinished recording project.

PLAYBACK: THE BRIAN WILSON ANTHOLOGY covers more than 30 years of music with selections from nine of Wilson's solo albums.

The collection opens with "Love And Mercy," one of the four songs on PLAYBACK taken from Wilson's self-titled debut. The song has become one of Wilson's most beloved classics, a regular closer to his live concerts, and was adopted as the title of the acclaimed 2015 biopic that saw the Beach Boy memorably played by both Paul Dano and John Cusack.

Several tracks on PLAYBACK come from the two albums Wilson released in 2004: Gettin' In Over My Head and the Grammy®-winning Brian Wilson Presents Smile. The most poignant of these is "Soul Searchin'," a song Wilson built around a vocal track left behind by his brother Carl, who passed away in 1998. The celebrated orchestral masterpiece, Smile is represented by "Heroes And Villains", and the timeless classic, "Surf's Up."

Those back-to-back releases ushered in a sustained burst of creativity for Wilson that includes four acclaimed albums. They're represented on the collection by "Midnight's Another Day" (That Lucky Old Sun, 2008); "The Like In I Love You" (Brian Wilson Reimagines Gershwin, 2010); "Colors Of The Wind" ( In The Key Of Disney, 2011); and "One Kind Of Love" (No Pier Pressure, 2015.)

Tucked in with these studio classics are two live performances from Wilson's 2000 concert recording, Live At The Roxy Theatre. Included here are "The First Time" and "This Isn't Love," a charming collaboration with Wilson's Pet Sounds lyricist Tony Asher.

PLAYBACK: THE BRIAN WILSON ANTHOLOGY includes a selection of classic photos from throughout Wilson's solo career, in addition to a candid shot taken in the studio in 2017 during the recording of "Run James Run." The album also includes liner notes by David Wild, and features a previously unseen picture of Wilson on the front cover, taken by legendary rock photographer Robert Matheu.

Features:
• Double LP
• Gatefold jacket
• First ever solo anthology

Selections:
LP One
Side A:
1. Love And Mercy
2. Surf's Up
3. Heroes And Villains
4. Melt Away
Side B:
1. Let It Shine
2. Some Sweet Day
3. Rio Grande
4. Cry

LP Two
Side C:
1. Lay Down Burden
2. The First Time
3. This Isn't Love
4. Soul Searchin'
5. Gettin' In Over My Head
Side D:
1. The Like In I Love You
2. Midnight's Another Day
3. Colors Of The Wind
4. One Kind Of Love
5. Run James Run

BRIAN WILSON'S THAT LUCKY OLD SUN - 180 GRAM OUT OF PRINT LIMITED EDITION -  A musical love letter from Southern California, That Lucky Old Sun continues the awe-inspiring concept album journey that Brian Wilson first began four decades ago for The Beach Boys' 1966 classic, Pet Sounds, and has continued to evolve during his solo career, highlighted by his 2004 critically-acclaimed Brian Wilson Presents Smile. The album is narrated in transitional interludes spoken by Wilson as "That Lucky Old Sun," the storyteller. The narratives, cameos on life and the heartbeat of Los Angeles, propel the album's musical story.

              

 

 

1. That Lucky Old Sun

               2.            Morning Beat

               3.            Narrative: Room With A View

               4.            Good Kind Of Love

               5.            Forever She'll Be My Surfer Girl

               6.            Narrative: Venice Beach

               7.            Live Let Live/That Lucky Old Sun (Reprise) Medley

               8.            Mexican Girl

               9.            Narrative: Cinco De Mayo

               10.         California Role/That Lucky Old Sun (Reprise) Medley

               11.         Narrative: Between Pictures

               12.         Oxygen To The Brain

               13.         Can't Wait Too Long

               14.         Midnight's Another Day

               15.         That Lucky Old Sun (Reprise)

               16.         Going Home

 17.         Southern California

 MIKE LOVE'S SOLO LP LOOKING BACK WITH LOVE - THIS IS THE 1981 BOARDWALK RECORDS RELEASE 

- TRACKS ARE -

1 Looking Back With Love

2 On and on and On

3 Runnin' Around the World

4 Over and Over

5 Rockin' the Man in the Boat

6 Calendar Girl

7 Be My Baby

8 One Good Reason

9 Teach Me Tonight

10 Paradise Found

 AS OF Sep-26-08, seller added the following information:

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