MILES DAVIS KIND OF BLUE INSANELY RARE SEALED ORIG'59 COLUMBIA 6EYE STEREO LP 1A

$

3,250

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WE CURRENTLY HAVE  MORE  THAN 500 LISTED ITEMS

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·       MILES DAVIS with JOHN COLTRANE, BILL EVANS, WYNTON KELLY, CANNONBALL ADDERLEY, PAUL CHAMBERS AND JAMES COBB - KIND OF BLUE - ORIGINAL 1959 COLUMBIA RECORDS STEREO LP CS-8163

·       ORIGINAL U.S. PRESSING

*** INSANELY RARE STILL SEALED GUARANTEED ORIGINAL FIRST STEREO PRESSING : ONE OF THE RAREST AND MOST COVETED AMERICAN RECORD ALBUMS IN EXISTENCE: TRULY A HOLY GRAIL, NOT ONLY OF JAZZ, BUT MUSIC IN GENERAL***

·       *** STILL SEALED ORIGINAL 1959 LP (THE RECORD IS STILL SEALED IN ITS ORIGINAL, COLUMBIA-EMBOSSED, PERFORATED COLUMBIA PLASTIC "BAGGY" AND HAS BEEN TOTALLY UNTOUCHED IN 61 YEARS, HOWEVER THE COVER HAS BEEN OPENED)

·       ORIGINAL “SIX EYES” COLUMBIA RED AND BLACK STEREO LABEL

·       DEEP GROOVE PRESSING

·       ORIGINAL FIRST COVER WITH CANNONBALL ADDERLEY’S NAME MISSPELLED AS “ADDERLY” ON THE FRONT PANEL, POSSIBLY FOR CONTRACTUAL REASONS (CANNONBALL ADDERLEY WAS AN EXCLUSIVE RIVERSIDE RECORDING ARTIST AT THE TIME)

·       MONSTROUSLY RARE STEREO PRESSING, MANY TIMES RARER THAN MONO

·       THE THICKNESS OF THE VINYL, THE APPEARANCE AND THE CONSTRUCTION OF THE COVER, LABEL’S LOGO AND OTHER PERIPHERAL ELEMENTS OF THE COVER, ARE ALL PERFECTLY CONSISTENT WITH THE ORIGINAL, FIRST PRESSING OF THIS TITLE.

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       THICK, HEAVY VINYL PRESSING

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1A/-1AE'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

·       MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

·       CLEAN, WEAR-FREE (LITERALLY: UNTOUCHED!) LABELS

(?PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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Kind of Blue isn't merely an artistic highlight for Miles Davis, it's an album that towers above its peers, a record generally considered as the definitive jazz album, a universally acknowledged standard of excellence. Why does Kind of Blue posses such a mystique? Perhaps because this music never flaunts its genius. It lures listeners in with the slow, luxurious bassline and gentle piano chords of "So What." From that moment on, the record never really changes pace -- each tune has a similar relaxed feel, as the music flows easily. Yet Kind of Blue is more than easy listening. It's the pinnacle of modal jazz -- tonality and solos build from the overall key, not chord changes, giving the music a subtly shifting quality. All of this doesn't quite explain why seasoned jazz fans return to this record even after they've memorized every nuance. They return because this is an exceptional band -- Miles, Coltrane, Bill Evans, Cannonball Adderley, Paul Chambers, Jimmy Cobb -- one of the greatest in history, playing at the peak of its power. As Evans said in the original liner notes for the record, the band did not play through any of these pieces prior to recording. Davis laid out the themes before the tape rolled, and then the band improvised. The end results were wondrous and still crackle with vitality. Kind of Blue works on many different levels. It can be played as background music, yet it amply rewards close listening. It is advanced music that is extraordinarily enjoyable. It may be a stretch to say that if you don't like Kind of Blue, you don't like jazz -- but it's hard to imagine it as anything other than a cornerstone of any jazz collection.

(EXCERPT FROM AN ONLINE REVIEW BY STEPHEN THOMAS ERLEWINE, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

What we have here is Jazz equivalent of the Grand Canyon. The album which, for the next four decades, pretty much defined everything that's spontaneous, improvisational , modal and otherwise genuine in music. This music truly has no equivalents, peers or points of reference in modern music, whether before or after its conception. Word has it that Duane Allman played nothing by "Kind of Blue" for many days and months on end, and the list of Jazz musicians profoundly affected by its spontaneity, mood, gentle blue tinge and supreme musical competence (to put it mildly) goes on and on and on. Plus, how many times do you get to hear the interplay between Miles Davis, John Coltrane, Bill Evans and Cannonball Adderley  - all assembled in one place?. This is not music, this is pure aural ambrosia. The Jazz’ greatest album was beset from its inception by the mastering problems, and experts claim that it is off by a fraction of the note, due to the fact that it was mastered at the wrong speed (a moot point). This is the mega-rare original deep groove stereo pressing!!! Finding a still sealed original STEREO copy?!?! Forget it – not even a HOPE!!! This may be the last one you will ever see.

The Jazz’ greatest album was beset from its inception by the mastering problems, and experts claim that it is off by a fraction of the note, due to the fact that it was mastered at the wrong speed (a moot point). The original, first  analog pressings on six-eyes Columbia label are becoming extremely rare and extraordinarily coveted by practically everyone - jazz and non-jazz collectors alike. For any self-respecting Jazz aficionado, this is the only possible way to hear the greatest jazz album ever.

In the entire history of eBay, still sealed original STEREO pressing of this album – we were told, and our own research bears this out – has ONLY BEEN OFFERED TWICE (ONCE BY THIS SELLER IN 2008, AND SECOND TIME IN 2013). If this assessment is correct, this would mean that a still sealed ORIGINAL STEREO copy of this album is offered on collectors’ market about once EVERY TEN  YEARS OR SO – less often, mind you, than an undiscovered Brancusi sculpture or Da Vinci drawing. Unless you are willing to wait another 10 years to see another still sealed original stereo copy, our message is very simple: BID NOW. DON’T WAIT. THIS MAY EASILY BE THE LAST COPY YOU WILL EVER SEE.

TO SEE IF WE HAVE OTHER LISTED ITEMS BY MILES DAVIS ?  CLICK HERE

TO SEE IF WE HAVE OTHER LISTED ITEMS BY JOHN COLTRANE ?  CLICK HERE

TO SEE IF WE HAVE OTHER LISTED ITEMS BY BILL EVANS ?  CLICK HERE

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·                               CONDITION:

·                               THE RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          THE ALBUM IS STILL FACTORY SEALED IN ITS ORIGINAL PLASTIC BAGGY (TYPICALLY USED IN THE MID-60s) AND IS BELIEVED TO BE PERFECTLY MINT. Please note: sealed items are assumed to be mint and are sold as-is, as we have no way of inspecting them.

(b)          The record is STILL in its original inner, perforated plastic baggy (sealed).

(c)           The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)          The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).

(e)           Stereo  pressing of this title is much rarer, and by far more preferable to its mono  counterpart. The mix is more graphic, the sound resolution more precise, and the channel separation (which does not exist on mono version) adds a whole new dimension to the music. Also, the stereo mixes are (by definition) somewhat different than on the mono version. We estimate that mono copies of this album outnumber stereo copies  by a ratio of at least 10:1.

(f)            Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       THE COVER

THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-        Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3  (front side) and 4 (back side)

-        Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-        Cover shows some light yellowing on back side, apparently from aging (nothing significant)

-        Cover has a small quality control (inspection) stamp on the back panel

-        Cover has a few tiny wrinkles along the spine (BARELY VISIBLE) (VISIBLE ON FRONT SIDE ONLY)

-        Minor shelf wear noted on the bottom seam (nothing significant)

-        Cover has one corner slightly worn (BARELY VISIBLE)

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

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POSTAGE & SHIPPING:

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND (BUT DO NOT INSIST) that you select USPS International Priority Mail OR International Express mail when making a payment.

INTERNATIONAL POSTAGE rates vary from one region of  the world to another. For SPECIFIC international and domestic postage rates ?click here. While you can be rest assured that our packaging is careful, sturdy and impact-proof, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.

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OUR REFUND POLICY :

WE OFFER UNCONDITIONAL MONEY-BACK GUARANTEE WITHIN 30 DAYS FROM THE RECEIPT OF THE MERCHANDISE, NO QUESTIONS ASKED; Still sealed items MUST be returned sealed in order to be eligible for a refund Some restrictions apply. Please read our complete refund policy before placing a bid. ?Click here  for the full text of our policy

FINE (BUT IMPORTANT!) PRINT

(1) The year indicated in the title bar is the year of the original release,  NOT necessarily the year of the actual pressing; for the actual generation of the pressing, please see our item description (top section, text in red letters). (2) Please do NOT bid based on the title bar, subtitle bar or item specifics box alone; instead, please read the entire description and grading before bidding; (3) Absolutely NO order cancellations after the auction closes. ever, under any circumstances. We can ONLY cancel bids before the item closes. (4) We are unable to cancel bids in the final 12 hours of the auction; if you need to do so, please contact eBay for help (5) We are unable to provide matrix-, stamper- or other pressing  information in the final 24 hours of the auction. If you require this information, please contact us well before the final day of the auction. (6) Yes, we DO combine shipments. Please click on "Shipping and Payment" tab on top of the auction page for additional details. (7)  All Paypal payments must be made from confirmed Paypal shipping addresses. NO third party shipping addresses will be honored (8) Absolutely NO partial refunds: if you are unhappy with the merchandise you received, please return it for a full refund, postage included (9). Civilized people can disagree without accusing each other of being indecent or dishonest; if you need proof of this seller's personal integrity, please check our eBay feedback, which speaks for itself  (10) All disagreements and miscommunications can be - and will only be - solved in a civil and mutually respectful manner;  please avoid puerile, offensive, abrasive or menacing language (attempted humor is fine and usually appreciated, although overused-to-death sarcasms can be really, really tedious. (11) This seller will accommodate all reasonable requests and is generally a flexible and agreeable person (12) Our love & appreciation for your trust, loyalty and business, always and forever; Thank You & Good Night!

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