LSC-1817 "Gaite Parisienne" MINT best press. TAS

$

335

This is the famous LSC-1817 10/S 10/S pressing of Offenbach's "Gaite Parisienne" with Arthur Fiedler leading the Boston Pops Orchestra.  This version has long been revered by audiophiles as the pressing to have.  The dynamics are stunning, with great bass to boot.  You have to experience to understand.  The vinyl is Mint, and plays flawlessly.  The cover is Mint also with no seam splits or edge wear, and is clean and white on the back.  I have had several copies of this record, but this is the best. Please experience this for yourself. 

To all classical record collectors and audiophiles;  I am now in the process of selling my entire collection. I have been a record collector of classical and jazz records for the last 40 years. I have recently decided to start liquidating my collection, which has grown too big.  I have already listed many of my second, third and fourth copies of the great RCA’s and Mercury’s.  I have now launched in to selling the best and last copies, from my personal collection.  In the next few months I will be selling superb copies of the all of the Mercury’s and RCA’s mainly from the stereo era. Please add this to your favorites list. These are the best condition, best stamper and matrix #’s.  In other words the Best of the Best.  I also will sell eventually all my London Blue backs and Lyrita’s etc.  All of these are copies that I kept until last.  I am also entertaining bids on entire collection.  If you are interested in just about every Mercury or RCA or <?xml:namespace prefix = st1 ns = "urn:schemas-microsoft-com:office:smarttags" />London or Lyrita, please e-mail me with a bid. My user ID is “detroitnut”, and my e-mail address is recordwhiz@comcast.net  THAT’S RIGHT, EVERY NUMBER IN ITS BEST STAMPER OR MATRIX.  Obviously some of those will be gone soon, but some audiophile could get the best of the best, without all the waiting, for each to come up for sale and then bidding and hope you get it.  Either way Good Luck on the bidding.

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