ELLA FITZGERALD 1st LADY ORIG DECCA MONO LP BLACK LABEL

$

159

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·       ELLA FITZGERALD – THE FIRST LADY OF SONG – ORIGINAL 1955 DECCA RECORDS MONO LP DL-8695; Ella Fitzgerald with Charlie Shavers, Hank Jones, and others.

·       ORIGINAL U.S. PRESSING

·       ORIGINAL BLACK, NON-GLOSSY (MATTE)  DECCA MONO LABEL WITH SILVER PRINT

·       DEEP GROOVE PRESSING

·       FLAT-EDGE PRESSING

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       THICK, HEAVY VINYL PRESSING

·       CLEAN, WEAR-FREE LABELS

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1/-1'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

·       As far as we know, this album is currently out of print and unavailable on Compact Disc, or in any other format.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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Not to be confused with the Verve triple-CD set of the same name, this LP from 1958 nevertheless has similar aspirations, assembling pieces from nine diverse Decca sessions into an anthology. We hear Ella develop as a pop singer from the lighter-voiced period of the 1940s to a deeper, even more soulful purveyor of ballads by the time she finishes her Decca contract in 1955. By and large, the material is first-rate, including standards like "My One and Only Love" and "I've Got the World on a String," a completely reworked country & western classic "A Satisfied Mind," and even one of Ella's few compositions, the ebullient "Ella's Contribution to the Blues." The settings range from chamber jazz groups with Hank Jones on piano to studio big bands directed by Sy Oliver and Bob Haggart and the plush easy-listening strings of Tutti Camarata. A few of the big band and vocal backings may have dated a bit, but not Ella's contributions.

 (EXCERPT FROM AN ONLINE REVIEW BY RICHARD S. GINNELL, , ALL MUSIC GUIDE  /ALLMUSIC.COM/)

While Ella Fitzgerald would continue to records critically and commercially acclaimed albums after her DECCA tenure (1945-1955), notably for Norman Granz’ Verve family of labels, many Jazz vocals aficionados, ourselves included, feel very strongly that she reached her creative and artistic peak during these early years, in which she recorded five albums for DECCA.

THIS IS A NO-RESERVE AUCTION!

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)          The record is STILL in its original inner, perforated plastic baggy, which has - apparently with success - shielded the record from the harmful impact of elements over many years!

(c)           The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).

(d)            The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(e)             Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3

-         Cover has one corner slightly worn / frayed / bent (just a beginning of the split seam)

-         Cover has some fraying/wear along the upper seam (nothing significant)

-         Cover shows some light yellowing on both sides, apparently from aging.

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 2 (front side) and 5 (back side)

-         Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No wrinkles or creases

-        No writing

-        No stamps

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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